My Personal Journey

April 9, 2009
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For my Video Art class at Emily Carr, I decided to move forward with the “Personal Journeys” project and so I went ahead and recorded the story of the day my mom died from ovarian cancer in 1994 and the Journey that I and my family went through that day and made a video about it. I published it on YouTube last night and wanted to share it with all of you:
– FlashAddict

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John DeVeaux is a second year Film, Video and Integrated Media student at the Emily Carr University of Art + Design in Vancouver, British Columbia, Canada.

Classifying himself as a Digital Artist with future aspirations to work in either the film or video game industry, his work focuses on combining a wide range of media including crowd sourcing, data capture, film/video, installation, storytelling and web based material.

My Personal Journey tells the story of the day John’s mother died from ovarian cancer in 1994 and features the artist providing a solitary monologue over a black screen with white text providing an ongoing narrative, as he describes the mental images that haunt him to this day.

Inspiration for this video comes from Derek Jarman’s film, Blue, which showcases the director looking back on his life as he was losing his sight and dying from AIDS. The film is 79 minutes in length and features a single shot of saturated blue covering the entire frame of the screen.

My Personal Journey is also part of an ongoing digital art project dealing with personal storylines about significant or memorable Journeys in peoples respective lives and can be viewed at:

http://personaljourneys.wordpress.com


The Personal Journeys blog is now active

March 10, 2009

Hello again everyone,

I wanted to take this opportunity to invite everyone to check out the Personal Journeys Blog that was publicly unveiled and launched earlier today for my Digital Interactive Arts class at Emily Carr. Everyone was very interested in reading about the stories that people submitted to the art project and would like to extend my deepest thanks to everyone who submitted their stories.

This is not the end of the project however, and I will be working with several faculty at school in pushing the project further over the summer. For those of you who wanted to participate, but haven’t had a chance to write up your stories, don’t fret because you still have the chance to send them in and I will put them up on the blog as they arrive.

Furthermore, two other avenues for the project that I would like to explore are to setup a venue at the Athlete’s Village for 2010 Winter Olympics, which I had previously mentioned; but the most important one to my heart is to contact the BC Cancer Foundation and see if they would like to work together in recording and documenting the Journeys of Cancer patients currently going through radiation treatment and chemotherapy as well as the stories from their families.

I will be contacting them tomorrow to look into the feasibility of this project as well as starting to piece together a video which recounts the details of My Personal Journey, which I wrote about January 28th, 1994, the day my mother died from ovarian cancer at the BC Cancer Clinic in Vancouver. I will keep you guys posted on how both of those progress.

So without further ado, here is the link to the blog:

http://personaljourneys.wordpress.com/

Read through the Journeys, click on the links to view the maps and also look at the Visual Journeys section of the blog to see other outcomes that I developed as well.

Sincerely,

John DeVeaux


Tales of the Past III – by Martin Falch

January 15, 2009

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I will be showing clips from and talking about Tales of the Past III, a Machinima Film based on the video game World of Warcraft to my Video Art class at the Emily Carr University of Art + Design tomorrow for our Previous Inspiration Presentation project.
– FlashAddict

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Tales of the Past III, by Martin Falch is the ultimate achievement in fan-made Machinima Film based on the Massive Multiplayer Online Role Playing Game, World of Warcraft. Martin spent over a year and a half single handedly piecing together the overall visual majesty of the film, from screen capturing from the game itself, editing hundreds of hours of footage, painstakingly doing all of the special effects, to labourously directing dozens upon dozens of other virtual actors on live game servers for massive group sequences. He also had professional voice actors volunteer their time and efforts to help piece together the emotional tone of the characters and organized an incredible array of songs for the soundtrack that effortlessly leads from sequence to sequence.

While most World of Warcraft Machinima Films are rudimentary and poorly strewn together with freeware software, Martin Falch has set the bar for all aspiring Warcraft Machinima auteurs to shoot for, myself included.

Opening Scene:

The Ashbringer:

These are the Duranin:

Final Battle:

Trailer:

Movie Plot and Download Links:
Since the death of Yimo and the shattering of the Orb of Visions, the Horde and the Alliance have accepted an unstable peace agreement. However, old hatreds stand in the way of cooperation and at the same time, chaos erupts as the Lich King finally takes action. In the meanwhile, Blazer travels to Northrend to hunt down Mograine, the Death Knight, and retrieve the legendary blade that may decide the fate of Azeroth – The Ashbringer…

After 1,5 years of production, Tales of the Past III is finally complete. Having spent an average of 3 hours every single day on the movie, there have been times where this whole project was frustrating rather than enjoyable. However, looking back on the whole project, I’m glad that I started and I’m glad that I managed to get through it! Also, having watched the entire movie, I’m really satisfied with the outcome and I hope you feel the same way! Now, since the movie is huge, I hope you’ll take your time to read through the block of text here!

http://warcraftmovies.com/movieview.php?id=53953

Milestones:
Martin Falch is number 4 on the all-time Warcraftmovies.com download list currently at 2,361,104 total downloads.

http://warcraftmovies.com/halloffame.php

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1.000.000 downloads
Posted: 28 July 2008 @ 09:39 (CET)

Hey people! Just wanted to inform that TotPIII has now reached 1 mio downloads on Warcraftmovies.com, making it the second movie ever to archive this (number 1 being Leeroy) – I just want to say thanks to all the people commentning on it and sending me mails, it’s been awesome with all the support and nice words. Also a big thanks for the people informing their friends/guilds/forums about it in order to spread the movie around!

I’ve mentioned this before, but hopefully I’ll be able to make new story line machinimas later on, perhaps some relevant opportunity comes up for the case – having just watched the most brilliant film I watched in a long time, The Dark Knight, it’s a bit tempting to get back to machinimating. However, until then I hope you’ll enjoy the little Synergy Contest submission I’ve made, which should be up today – I’ll post the link here when it is. As mentioned it won’t be anything fancy, but it’s a bit different from what I’ve tried making before and the whole thing about following someone elses script has been both a challenge and interesting!

Again, thanks alot for all the support!

– Martin

http://www.talesofthepast.com/

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Soundtrack:

“I was… the Ashbringer.”

* (0:38/–:–) Legendary – King Arthur Soundtrack – 02 – Woad To Ruin

* (–:–/6:00) The Blade – King Arthur Soundtrack – 04 – Hold The Ice

* (–:–/–:–) The Ashbringer In Battle – Pirates of the Caribbean 2 – Hans Zimmer – 08 – a family affair

* (–:–/–:–) Betrayed – 01 – Age of Music

Discord

* (–:–/–:–) Saurfang’s Challenge – Hans Zimmer- The Contender (Main Theme)

* (–:–/–:–) Rexxar’s Journey – Trevor Rabin – Armageddon – Launch

The War Begins

* (–:–/–:–) Council of War – The Elder Scrolls 4 Oblivion Main Title Music

* (–:–/–:–) Two beers per kill – Pirates of the Caribbean Dead Man’s chest – 07 – Two hornpipes (Tortuga)

* (–:–/–:–) eternal_silencetheme_ngm_by_mike_cameron_force

* (15:16/16:44)”No! He must no scape!” – 10 – The Peacemaker – Devoe’s Revenge Take 3 Take 2.wav ; Hans Zimmer – Devoe’s Revenge

* (–:–/–:–) X-Ray Dog – Clash Of Arms(1)

* (–:–/–:–) The Last Samurai (Soundtrack) – 09 – Hans Zimmer – Red Warrior

* (–:–/–:–) Edgen+discovery

* (–:–/–:–) Movies – Hans Zimmer – The Last Samurai – Spectres In The Fog

* (–:–/–:–) “To Hell With This Mission”-The Last Samurai (Soundtrack) – 03 – Hans Zimmer – Taken

* (22:40/24:50) Starsailor – Way to Fall

* (–:–/–:–) 01 – Danny Elfman – Introduction

* (–:–/–:–) Mograine – Immediate Music – Epicon (Hybrid)

* (27:43/29:46) Harry Gregson Williams – Metal Gear Solid 1 End Title: The Best Is Yet to Come

* (–:–/–:–) Pirates of the Caribbean 3 – 06 I See Dead People In Boats

* (–:–/–:–) Pirates of the Caribbean 3 – 02 Singapore

* (–:–/–:–) Pirates of the Caribbean 3 – 03 At Wit’s End

* (–:–/–:–) Serphentos and Rexxar Travel – 10 – In Search of the Grail

* (–:–/–:–) Saurfang and Rexxar – Theme – Good, The Bad, And The Ugly

* (–:–/–:–) Pirates of the Caribbean 3 – 11 I Don’t Think Now Is The Best Time

* (38:10/40:46) Ambush – Saw Soundtrack – Final theme

The Emerald Dream

* (40:58/43:20) Quite A View – Star Wars Episode II – Attack Of The Clones – 02 – Across The Stars (Love Theme)

* (–:–/–:–) “This is why I chose you!”13_-_Hans_Zimmer_-_Barbarian_Horde

* (–:–/–:–) Metal_Gear_Solid_LegendoftheSnake_OC_ReMix

* (–:–/–:–) Memories – Naruto OST – 08 Sadness and Sorrow

* (46:00/46:40) Gronn Slayer – Naruto – Strong And Strike

* (–:–/–:–) Naruto – Main Theme

* (–:–/–:–) Warcraft 3 – Comradeship

* (–:–/–:–) “Let us cast it, into the flames of Blackrock Mountain!” – Lord of The Rings – Main Theme

* (–:–/–:–) The Plan – Pirates of the Caribbean 3 – 05 Up Is Down

* (52:42/55:37) Coco Lee – A Love Before Time (Mandarin)

* (55:45/59:26) The Final Trial – Godspeed You Black Emperor – Moya

Armies Unite

* (–:–/–:–) Metal Gear Solid 3 – Snake Eater (Soundtrack) – 211 – Norihiko Hibino – Last Showdown

* (–:–/–:–) Metal Gear Solid 3 – Snake Eater (Soundtrack) – 210 – Harry Gregson – Williams – Lifes End

* (–:–/–:–) King Arthur Soundtrack – 05-Another Brick in Hadrian’s Wall

* (1:03:50/1:05:03) Monori In Death – Nightwish – End Of All Hope

* (–:–/–:–) Immediate Music – 48 – Orch & Choir Rise – 3

* (–:–/–:–) 31 – Asteroid Chase – The Shuttle Crash

Final Push

* (–:–/–:–) Too late… – Naruto (Orochimaru’s Theme)

* (–:–/–:–) The Lich King’s Power – Naruto 15 – Orochimaru’s Fight

Blazer, returned as the Ashbringer

* (1:07:40/1:09:45) Return of the Ashbringer – Hans Zimmer – King Arthur – Hans Zimmer – Crimson Tide Theme

* (–:–/–:–) Ash and Frost Part 1 – X-ray Dog 50 – Tightwire Orchestral

* (–:–/–:–) Ash and Frost Part 2 – Immediate Music – Blasphemy 2.0 (Choir)

* (1:13:50/1:14:30) Remember Them When in Hope you Doubt – Immediate Music – With Great Power

* (1:14:32/1:14:55) “If you think that’s cool…” – Immediate Music – Desperate Hour

* (1:14:56/1:15:28) Phoenix and Frost Wyrm – Immediate Music – Serenata (Choir)

* (1:15:29/1:15:53) “Nice One!” – Immediate Music – Liberation! (Choir)

* (–:–/–:–) “I smell demons coming…” – X-Ray Dog 44 – Secret Agent

* (–:–/–:–) Monóri vs. Serphentos – Soundtracks – Mission Impossible 2 – Hans Zimmer – Injection

* (–:–/–:–) X-Ray Dog 21 – Big f’n Drums

* (–:–/–:–) “No match for me!” – Immediate Music – With Great Power

Victory of the Ashbringer

* (1:17:05/1:18:10) Retribution – Trust Company – Downfall

* (–:–/–:–) Arthas Reborn – Batman Begins Soundtrack – Corynorhinus

* (–:–/–:–) Blazer’s Final Sacrifice – Metal Gear Solid 3-End theme Harryson Gregson Williams

* (–:–/–:–) “Honor Them!” – Theme Songs – Naruto – Hokage’s Funeral Scene

* (–:–/–:–) “We had a deal…” – King Arthur Soundtrack – 02 – Woad To Ruin

* (–:–/–:–) The Tale Ends – TavernAlliance02

* (–:–/–:–) 04 – Danny Elfman – The Story…

* (–:–/–:–) 10 – Danny Elfman – The Tree of Death

* (1:26:06/1:27:58) Credits – Nightwish – Ghost Love Score

http://www.wowwiki.com/Server:Dunemaul_Europe/Tales_of_the_Past#Soundtrack_TotP_III


Uber 80’s music

January 7, 2009

c’mon…you know the lyrics – who can forget these classics?!?!?

Alphaville – Forever Young

Baltimora – Tarzan Boy

Limahl – The Neverending Story

Frankie Goes to Hollywood – Relax (Don’t Do It)


The SHOT – Reading the Screen

November 15, 2008

THE SHOT
= the smallest unit in film – when the camera starts / records / then stops
– compared to language (word, letter) – a shot in film is like a sentence
– when you write, you start with a sentence or a phrase (are you writing an essay, letter, poem…and you build your structure from there)
– every film starts with a shot (feature film, documentary, animation…and you build your film from there)
– film maker decides how the shot will be setup

– how the film image is photographed – based on film stocks and immulsion (b/w, high contrast, low contrast…)
– technicolor was an invention developed in the 1930’s
– tinting = dip b/w film into a bath of dye
– toning = positive print developed and dye is added

DAISIES – dir Vera Chytilova

– film made just prior to the Soviet takeover in 1968 – they went nuts over it and forbid her from making any further films
– great example of toning

– overexposure and underexposure
– under crank film speed was a throw back to early film days from manually cranked cameras = high speed when projected
– over crank = slow motion when it plays through the projector
– wide angle lens = distortion – normal lens is 35 to 50 mm – telephoto lens = character takes forever to move forward:

THE GRADUATE

– depth of field refers to what is in focus in the frame
– deep space – director stages action that is in focus on several different planes (Citizen Kane)
– selective focus = multiple plane action but only one is in focus
– CITIZEN KANE = faster film, shorter focal length lenses, deep focus
– pulling/rack focus = Mission Impossible – Jean Reno holding the rope in the air duct – in comes the rat and he is terrified

SPECIAL EFFECTS
– super imposition = one image over another and put in through the projector
– rear projection = driving and projecting a street scene behind the actors
– front projection – camera films through a 2-way mirror
– mattework = actor is filmed on a blue screen

Aspect Ratios
Academy Ratio = 1.33 / 1 (oldest and was the standard for a long time)
Widescreen = 1.85 / 1

CAMERA SHOTS
– extreme long shot = panorama – cannot see people – just the landscape
– long shot = large area but also has characters
– full shot = full figures and it is the size of what would be a stage
– medium long shot = from the knees up
– medium shot = waist up (also known as the sitcom shot)
– medium close up = head and shoulders

– close up = head / hand / foot only
– extreme close up = extremely close viewpoint of one part of someone’s anatomy (Citizen Kane = saying Rosebud – only see his lips)

– cut away / insert = information only – hands reading a letter / inserting a key into a lock
– point of view = what the character sees
– mask = character looking through a telescope / keyhole = black mask area to signify this
– over the shoulder = conversation shot
– dirty over the shoulder = shoulder is in frame of the conversation shot
– reaction shot = very manipulative (AAHHHHHHHHHHHHHHHH reaction…)

STATIONERY CAMERA ANGLES
– straight overhead = bird’s eye view (Lullaby of Broadway / Mystic River – when Sean Penn realizes his daughter is the body)

– high angle = when the camera is looking down on a subject (used as to be read as having a certain significance – subject is read to be vulnerable, powerless or insignificant)
– eye level = documentary and comedy in order to see what is happening
– low angle = camera is low looking up (subject seems menacing, overpowered or important)
– extreme low angle / worm’s eye = camera in the floor looking up
– oblique/canted/dutch angle = tilted or askew (Do The Right Thing)
– mobile camera = camera is stationery but the camera pans from right to left (street shot panning and then stops when main character enters frame and starts following them in the other direction
– tilt = camera moves up and down (camera tilting down to show Dorothy’s Red Ruby shoes)
– switch pan = camera is stationery but there is a swoosh showing a change (Citizen Kane breakfast scene in the first marriage)

– zooming in and zooming out = camera doesn’t move but moving in with the zoom (implies finding out what the character is thinking – or Godfather zoom out intro with Marlon Brando)

– snap zoom = instead of cutting back and forth they use this instead (see kung fu movies – camera follows the action of the punches/kicks

MOVING CAMERA ANGLES
– dolly shot = use push in or pull back
– tracking = dolly shot where they actually lay down tracks
– traveling/trucking = camera on a vehicle and film the people on that vehicle
– hand held = camera operator following the actors (the conformist / blair witch)
– vertigo = made famous by Alfred Hitchcock (dolly in as you zoom out or vice versa)
– steady cam = Goodfellas shot
– space cam =  flying aircraft with a camera built into it (Into the Sea with Javier Bardem)
– crane shot / cherry picker
– jib shot = camera goes up or down along a mast
– aerial = airplane shot

LAWRENCE OF ARABIA – dir. David Lean
– incredible range of shots used in this film

DO THE RIGHT THING
– Spike Lee started internships with the unions so that they would hire more women and people of colour
– based on an actual event of a race riot that took place in Howard Beach
– several black men had a flat tire in front of an Italian bar and were chased out by the Italians are one tripped and was killed when hit by a car
– 24 hour period from one morning to the next – set in the neighborhood
– Samuel L. Jackson plays the DJ and ties the setting and characters together
– Radio Rahim was always shot solitary to showcase his lack of wanting to be part of the community and low angle to show him being imposing
– statistic of when the temperature goes over 95%, the murder rate rises as well as people lose their tempers much easier
– film ends with differing quotes from Martin Luther King Jr. and Malcolm X (non violence versus intelligent self-defence)
– restlessly wandering camera – starting on a closeup then move all over the place

TOUCH OF EVIL – dir. Orson Welles

– probably the most famous sequence shot / long take
– instead of close up, followed by pan to long shot, a long series of shots are choreographed into one single shot

TOKYO STORY – dir. OZU

– filmed at the height of a person kneeling on a Japanese tatami mat
– usually full shots with people moving in and out of the frame
– focuses on family drama / stories – focus on Japan but they are universal
– flips traditional Hollywood convention by crossing 180 degree line where characters and settings flip perspective

TRAGIC STORY WITH HAPPY ENDING – dir. REGINA PESSOA

– director had a schitzophrenic mother – very aware about being different and the community’s reaction to her mother
– draws each phase on a piece of paper – each frame is photocopied onto glossy paper -indian ink is drawn in on top of the drawing and then uses a razor blade to scratch into the ink – background is on a separate piece of paper and scanned in – superimposed to form the final image


Angry online ‘divorcee’ kills virtual husband in cyber revenge

October 24, 2008

By Mari Yamaguchi, The Associated Press

TOKYO – A 43-year-old player in a virtual-world game became so angry about her sudden and unexpected divorce from her online husband that she logged on with his password and killed his digital persona, police said Thursday.

The woman used another player’s ID and password to log onto the popular interactive game “Maple Story” to carry out the virtual murder in May, a police official in the northern city of Sapporo said.

Police said the woman admitted to carrying out her cyberspace revenge and has been jailed on suspicion of illegally accessing a computer and manipulating electronic data.

“‘I was suddenly divorced, without a word of warning. That made me so angry,”‘ the official quoted her as telling investigators.

The woman, a piano teacher, had not plotted any revenge in the real world, the official said.

She has not yet been formally charged. If convicted, she could face up to five years in prison or a fine up to $5,000.

Players in “Maple Story” create and manipulate digital images called “avatars” that represent themselves, while engaging in relationships, social activities and fighting monsters and other obstacles.

In virtual worlds, players often abandon their inhibitions, engaging in activity online that they would never do in the real world. For instance, sex with strangers is a common activity.

The woman used login information she got from the 33-year-old office worker when their characters were happily married to kill the character. The man complained to police when he discovered that his online avatar was dead.

The woman was arrested Wednesday and taken 1,000 kilometres from her home in southern Miyazaki to be detained in Sapporo, where the man lives, the official said.

The police official said he did not know if she was married in the real world.

Bad online behaviour is usually handled within the rules set up by online worlds, which can ban miscreants or take away their virtual possessions.

In recent years, virtual lives have had consequences in the real world.

When bad deeds lead to criminal charges, prosecutors have found a real-world activity to cite – as in this case, in which the woman faces possible charges of illegal computer access.

In August, a woman was charged in Delaware with plotting the real-life abduction of a boyfriend she met through the virtual reality website “Second Life.”

In Tokyo, a 16-year-old boy was charged with stealing the ID and password from a fellow player of an online game in order to swindle virtual currency worth $360,000.

Virtual games are popular in Japan, and “Second Life” has drawn a fair number of Japanese participants. They rank third by nationality among users, after Americans and Brazilians.

http://ca.news.yahoo.com/s/capress/081023/koddities/japan_avatar_murder