DIVA 300 – Final Report

December 8, 2009

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Here are the details on the two internships this semester for my DIVA 300 class – the first being the Motion Capture Studio at Emily Carr University and the second being CODElab, a look into surveillance during the Olympics taking place here in Vancouver in 2010. Click final_report_john_deveaux for a PDF download.
– FlashAddict

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Did you have a transformative experience over the internship? How you may have changed since starting the internship?
MoCap – “John has grasped the principles of motion capture quite well. He has already exhibited thoughts of how to use the technology in areas outside the norm.” The paradigm shift for me in working with Rick in the school’s motion capture lab was seeing the ways in which the technology can be applied to multiple products, company and individual requirements. From biofeedback, to ergonomics, the applications for MoCap are endless.
CODElab – I and the CODELab artists mutually admitting errors were made and working to rebuild our collective relationship together.

How you may use the skills that you’ve learned in the future?
MoCap – I am presently building my own company to provide ongoing project management consultation with some key friends of mine; Paul Cordick who was a Producer/Project Manager at both Mainframe Entertainment and Electronic Arts along with Kirk Hutton, who just completed his MBA. Both of them will be assisting me in developing our business plan, scope/vision of the company and identify key clients and competition – having my own company will allow me the freedom to create and develop the projects that I truly want to work on.
CODElab – Learning how to setup and edit a Wiki page will greatly help me in the near future as one of my company’s first clients requires a wiki page to be setup and content input and maintained.

Do you have goals for continuing with the internship? Was there an on-going relationship that was developed or a network of contacts that will benefit your practice?
MoCap – Not directly with Rick in the MoCap lab, but he asked that I keep him in the loop as to the progress that the company makes moving forward.
CODElab – I will be doing some additional research for the CODELab artists later on this week for the project Wiki page and will be meeting with Simon later on in order to finalize what he needs me to look up. On a long term basis, I am not sure if I will be working with them down the road, but if our paths cross in the future, I would be open to talking with them to see if there are areas in which we can join forces.

Comment on the working relationship with the organization, working in a collaborative environment, the organization’s flexibility and communication about the projects.
MoCap – Not really applicable here as Rick and I were 1 on 1 all of the time and did not have a major project that needed to be worked on or completed by the end of the internship. That being said, I had a very good working relationship with him and would definitely work with him again in the future.
CODElab – There were a few bumps along the road in my internship with CODELab but at the end of the day, we were able to move forward based on mutual respect for one another and a common interest in putting forward a kick-ass art piece.

How your expectations of the internship changed over time? (what you ended up actually doing vs. what was initially proposed.)
MoCap – The complexities of the software itself are so immense that constant trouble shooting and tech support was required. In those instances where Rick was madly working away to try and solve the problem, rather than pester him with questions, in some instances it was better to just stand back, shut up and let him work the problem.
CODElab – Do to some miscommunications, the only concrete item that I have produced so far for CODELab was the Wiki page that I briefly showed during the mid-term assessment: http://codelab.blprnt.com/wiki/index.php/Information_on_the_Olympic_Games

Mention the tasks and accomplishments that occurred after the midterm presentation
MoCap – Working with Rick this week to ascertain whether data could be captured without the black rubber mats being laid out in the studio. By moving the mats off of the floor and dialing up the threshold of the cameras, we were able to prove that while possible, the square footage of area that is seen by the cameras is greatly diminished which would result in limiting the movement of the actors within the space.
Since the infrared cameras are very light sensitive, a potential project coming down the pipeline was looking to see if they could do mocap without the mats, as they are cumbersome to move and stack and also emit a fairly potent smell each time they are moved. The studio needs to be aired out as a result which means more time is lost
CODElab – still to be determined…


DIVA 300 – Critical Review

November 25, 2009

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Here are the details from one of the performances that I saw over this past weekend’s Interactive Futures conference here at Emily Carr. Click critical_review_john_deveaux for a PDF download.
– FlashAddict

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t2:Echo – by Henry Daniel

Due to the fact that my schedule was quite full this past weekend along with the fact that I get quite severe motion sickness from watching 3D movies, ride films and IMAX movies, I was not able to see most of the presentations that were shown at this year’s Interactive Futures conference at Emily Carr. That being said, the one performance that I was able to see in at least some form was t2:Echo by Henry Daniel.

While I was not able to see the entire performance, due to the fact that the concourse gallery walls that were blocking my seeing most of the actual dancers’ performances. On top of this, I was also helping direct the audience members to their respective locations, facilitating their viewpoints and actively going to get benches for more vertically challenged people to stand on.

By positioning the dancers in two separate yet interlinked locations, the director was able to create a bridge between the performances. This was further articulated by the video coding and processing for telepresence technology that was used to create the concurrent ghosting effect that was seen on the wall of the ECUAD concourse gallery and the main display screen in the IDS Motion Capture studio.

The ghosting effect that was projected onto the concourse gallery wall showed the dual performances and interlaid them onto one another and provided a somewhat random video playback quality as each dancer took centre stage in front of the crowd. They also entered the stage from multiple entry points and once their rotation in each location was complete, they then ran either to or from the concourse gallery and IDS MoCap studio in order to continue their respective performances there.

I have never seen a live dance performance like this before and it was quite the sight to see, as the dancers themselves were able to glide through the space with the greatest of ease and truly encompass it. From what I could see, it was a beautiful and creative bridging of technology and human performance into a multi-faceted co-locative art piece and would enjoy seeing more performances by Henry Daniel and his accompanying dance troupe.


Internship Mid-Term Report

October 28, 2009

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Here are the details on the two internships that I am working on this semester for my DIVA 300 class – the first being the Motion Capture Studio at Emily Carr University and the second being CODElab, a look into surveillance during the Olympics taking place here in Vancouver in 2010. Click mid_term_report_john_deveaux for a PDF download.
– FlashAddict

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IDS Motion Capture Studio Internship
http://crossfitmocap.wordpress.com/
– blog setup to provide project info to participants and show progress
http://www.facebook.com/group.php?gid=177700972600&ref=mf
– Facebook user group setup as well with video links on group wall

LEARNING OUTCOMES
– Rick’s philosophy on learning is to be fluid and allow for creative freedom
– he did not want me helping with mundane tasks such as answering email
– seeing as how he has no set schedule, he wanted to have as much fun in the process
– on his own, he would calibrate the cameras by running back and forth = boring
– having me working with him, gives him a greater chance to explore new outcomes
– “If I have to do one more damn US Marine with a machine gun walk cycle again…”
– CrossFit coaches and athletes were brought together with artists for group meeting
– much easier to learn by bringing in and suiting up actors to have them perform
– ability to work with the performers and fine tune walk cycles or isolated movements
– unfortunately, we had a major software glitch which nixed our live MoCap filming

– Rick pulled up some pre-recorded footage to show multiple data captures instead
CFmeeting2a
CFmeeting3a
CFmeeting4a
CFmeeting5a
CFmeeting6a

CrossFit – Motion Capture – group meeting 1

CrossFit – Motion Capture – group meeting 2

CrossFit – Motion Capture – group meeting 3

CrossFit – Motion Capture – group meeting 4

CrossFit – Motion Capture – group meeting 5

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CODElab Internship
UPDATE
http://codelab.blprnt.com/wiki/index.php/Main_Page
– Wiki page setup as a collective of project information and outcomes
http://codelab.blprnt.com/wiki/index.php/Information_on_the_Olympic_Games#Olympics:_
Secured_.E2.80.94_Past_and_Present

– researched previous and future Olympic cities’ security and surveillance activities
LEARNING OUTCOMES
– overall project is still open-ended as far as final outcomes
– I foresee my continued responsibilities as becomming a researcher
– our first task was to get a video camera and go around Granville Island and record
– criteria asked for unique and creative locations in order to record people and events
– possible location of setting up a “Ministry of Mis-Information” at Granville Island info board
surveillance1a
surveillance2a
surveillance3a


DIVA 300 – Internship Scope of Work Report

September 29, 2009

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Here are the details on the two internships that I will be working on this semester for my DIVA 300 class – the first being the Motion Capture Studio at Emily Carr University and the second being CODElab, a look into surveillance during the Olympics taking place here in Vancouver in 2010. Click John DeVeaux – Scope of Work Report for a PDF download.
– FlashAddict

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IDS Motion Capture Studio Internship

OVERVIEW
– Motion Capture Studio located here at the ECUAD Intersections Digital Studio
– Rick Overington is the studio tech who runs the operation
– major motion picture and local computer games companies use the studio space
– 20 Infared Passive Optical System to cover most of the floor space in the studio
– Motion Buider is the software application and is also good for pre-visualization
– full body suits which have 30-50 sensors sewn in are used to capture the data
– the system is unable to capture both bodies and facial features at the same time
– computers, cameras and the studio space need to be calibrated for each shot

– wand wave / L-Frame / Floor Calibration are the steps used to calibrate

Mocap

INTERNSHIP OUTCOMES
I want to incorporate CrossFit athletes and coaches into the Motion Capture Studio to serve both as a diagnostic tool to help provide real-time live data to athletes and coaches on their body dynamics as they do individual exercises, but to also merge this data into an artistic format as well.

I would like to work with some of the animation students at Emily Carr and create 3D character avatars which could then be animated with the motion capture data recorded from the original athletes to either match their actual likenesses or go really crazy and make the avatars look completely different (ie: men becoming women, humanoid looking animals, aliens…you name it).

I ran my idea by Rick on Monday and he said it would be great to work together on a collaborative project so that I could have an actual self-directed portfolio piece at the end of my internship, rather than just work on other peoples/companies’ projects. In addition, the owner and coaches at CrossFit are also very interested in what the Motion Capture Studio could provide to help enable their athletes propel themselves even further.

http://www.crossfit.ca
– CrossFit Vancouver homepage

http://www.youtube.com/results?search_query=crossfit+vancouver&search_type=&aq=f
– YouTube page listing of the CrossFit Vancouver workout videos

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CODElab Internship

OVERVIEW
CODElab will be a large-scale participatory new media artwork that will coincide with the Olympic and Para-Olympic Games from February 5th to 22nd, 2010 and be part of the larger CODELive event going on throughout the Vancouver area. Live capture nodes will be installed throughout Granville Island where visitors will be able to interact with artist and student facilitators via custom-designed balloon cams, umbrella cams, shoe cams and the like will record, transmit and present video with nontraditional perspectives and cutting-edge visuality.

CODElab

WHAT THIS ALL MEANS
– evolving process – the project guidelines will be set by the group
– roving, moving capture nodes for CODELab between the observer and the observed
– bodystorming vs. brainstorming – quickly create a conceptual idea and take it into the public sphere and test it out to see if it will actually work
– who will be our audience – project workers, ECUAD, Granville Island, Vancouver residents, 2010 Olympic visitors, the interwebz…
– orange and white colour scheme was decided upon for CODELab
– orange is significant of colour coded terrorist alert / being on alarm (CODE ORANGE)
– orange is the rabbit hole to engage the audience and bring them in further once they more and more CODELab orange coloured objects

PROJECT DELIVERABLES
http://delicious.com/search?p=codelab+ecu&chk=&context=main|&fr=del_icio_us&lc=
– setup a delicious site to bookmark important corresponding information
– a project Wiki site is being developed as a base for final outcomes and data captures

INTERNSHIP OUTCOMES
I had the opportunity to see the artists’ previous project, GLOCAL, at the Surrey Art Gallery last year and was absolutely blown away at what they had achieved. I hope to get hands-on experience and knowledge on building an immense data capture project and to further visualize it with Processing so that I can create and expand my own projects to their full potential.

http://www.glocal.ca/


Jury rules against Minn. mom in download case

June 18, 2009

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A mother is now facing financial ruin over 24 songs on Kazaa…
– FlashAddict

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Retrial with same verdict; she owes recording companies $1.92 million

MINNEAPOLIS – A replay of the nation’s only file-sharing case to go to trial has ended with the same result, finding a Minnesota woman to have violated music copyrights and ordering her to pay hefty damages to the recording industry.

A federal jury ruled Thursday that Jammie Thomas-Rasset willfully violated the copyrights on 24 songs, and awarded recording companies $1.92 million, or $80,000 per song.

Thomas-Rasset’s second trial actually turned out worse for her. When a different federal jury heard her case in 2007, it hit Thomas-Rasset with a $222,000 judgment.

The new trial was ordered after the judge in the case decided he had erred in giving jury instructions.

Thomas-Rasset sat glumly with her chin in hand as she heard the jury’s finding of willful infringement, which increased the potential penalty. She raised her eyebrows in surprise when the jury’s penalty of $80,000 per song was read.

Outside the courtroom, she was resigned.

“There’s no way they’re ever going to get that,” said Thomas-Rasset, a 32-year-old mother of four from the central Minnesota city of Brainerd. “I’m a mom, limited means, so I’m not going to worry about it now.”

Her attorney, Kiwi Camara, said he was surprised by the size of the judgment. He said it suggested that jurors didn’t believe Thomas-Rasset’s denials of illegal file-sharing, and that they were angry with her.

Camara said he and his client hadn’t decided whether to appeal or pursue the Recording Industry Association of America’s settlement overtures.

Cara Duckworth, a spokeswoman for the RIAA, said the industry remains willing to settle but she refused to name a figure.

In closing arguments earlier Thursday, attorneys for both sides disputed what the evidence showed.

An attorney for the recording industry, Tim Reynolds, said the “greater weight of the evidence” showed that Thomas-Rasset was responsible for the illegal file-sharing that took place on her computer. He urged jurors to hold her accountable to deter others from a practice he said has significantly harmed the people who bring music to everyone.

Defense attorney Joe Sibley said the music companies failed to prove allegations that Thomas-Rasset gave away songs by Gloria Estefan, Sheryl Crow, Green Day, Journey and others.

“Only Jammie Thomas’s computer was linked to illegal file-sharing on Kazaa,” Sibley said. “They couldn’t put a face behind the computer.”

Sibley urged jurors not to ruin Thomas-Rasset’s life with a debt she could never pay. Under federal law, the jury could have awarded up to $150,000 per song.

U.S. District Judge Michael Davis, who heard the first lawsuit in 2007, ordered up a new trial after deciding he had erred in instructions to jurors.

For the retrial, Davis instructed the jurors that in order to find Thomas-Rasset infringed any copyrights, they had to determine that someone actually downloaded the songs. He said distribution needed to occur, though he didn’t explicitly define distribution. Before, Davis said simply making the songs available on the Kazaa file-sharing network was enough.

This case was the only one of more than 30,000 similar lawsuits to make it all the way to trial. The vast majority of people targeted by the music industry had settled for about $3,500 each. The recording industry has said it stopped filing such lawsuits last August and is instead now working with Internet service providers to fight the worst offenders.

In testimony this week, Thomas-Rasset denied she shared any songs. On Wednesday, the self-described “huge music fan” raised the possibility for the first time in the long-running case that her children or ex-husband might have done it. The defense did not provide any evidence, though, that any of them had shared the files.

The recording companies accused Thomas-Rasset of offering 1,700 songs on Kazaa as of February 2005, before the company became a legal music subscription service following a settlement with entertainment companies. For simplicity’s sake the music industry tried to prove only 24 infringements.

Reynolds argued Thursday that the evidence clearly pointed to Thomas-Rasset as the person who made the songs available on Kazaa under the screen name “tereastarr.” It’s the same nickname she acknowledged having used for years for her e-mail and several other computer accounts, including her MySpace page.

Reynolds said the copyright security company MediaSentry traced the files offered by “tereastarr” on Kazaa to Thomas-Rasset’s Internet Protocol address — the online equivalent of a street address — and to her modem.

He said MediaSentry downloaded a sample of them from the shared directory on her computer. That’s an important point, given Davis’ new instructions to jurors.

Although the plaintiffs weren’t able to prove that anyone but MediaSentry downloaded songs off her computer because Kazaa kept no such records, Reynolds told the jury it’s only logical that many users had downloaded songs offered through her computer because that’s what Kazaa was there for.

Sibley argued it would have made no sense for Thomas-Rasset to use the name “tereastarr” to do anything illegal, given that she had used it widely for several years.

He also portrayed the defendant as one of the few people brave enough to stand up to the recording industry, and he warned jurors that they could also find themselves accused on the basis of weak evidence if their computers are ever linked to illegal file-sharing.

“They are going to come at you like they came at ’tereastarr,”’ he said.

Steve Marks, executive vice president and general counsel of the Recording Industry Association of America, estimated earlier this week that only a few hundred of the lawsuits remain unresolved and that fewer than 10 defendants were actively fighting them.

The companies that sued Thomas-Rasset are subsidiaries of all four major recording companies, Warner Music Group Corp., Vivendi SA’s Universal Music Group, EMI Group PLC and Sony Corp.’s Sony Music Entertainment.

The recording industry has blamed online piracy for declines in music sales, although other factors include the rise of legal music sales online, which emphasize buying individual tracks rather than full albums.

http://www.msnbc.msn.com/id/31432024/ns/business-local_business/