DIVA 300 – Officially back to Skool!

September 9, 2009

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Here are my notes from the first day of classes at Emily Carr this fall semester – I am Officially back to Skool!!!
– FlashAddict

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DIVA future course offering orientation next wednesday at 3:20 – room to be announced

electrodiva.wordpress.com (DIVA 300 class blog – send Julie link to mine)

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Interactive Futures – started in Victoria at Open Space Gallery – now run by my teacher Julie Andreyev here at ECUAD

http://www.interactivefutures.ca/

– thematic is stereo in a broad sense
– 3 day conference made up of daytime presentations by artists, designers and researchers working within three thematics
– also a number of exhibitions taking place throughout the conference as well
– internship involves managing and learning how to stream the event to the public
– e-presence = remote live stream capabilities used for this conference in conjunction with IDS
– intern would work with Maria and Greg via Interactive Futures and IDS

Responsibilities for Internship:
– videographer archivist + broadcaster
– still photographer
– administration assistant (document, printing assistant, registration)
– curatorial assistant (help install/curate the exhibitions)

Significant keynote speakers:
– George Legrady (utilizes data from satellites)
– Paula Levine – mapped Jerusalem/Palestine wall onto San Francisco
– Munro Ferguson

Wednesday, November 18th, whole class would work at the conference and help set it up in lieu of class time.

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Glisten Hive – by Julie Andreyev

www.animallover.ca

– looks at animal consciousness – do they share human emotions
– part of the CODE (Cultural Olympiad Digital Edition) and shown here at ECUAD during the Olympics

Additional Components to the project:
– Aria – HD audio/video installation filmed in Banff National Park
– Wait – interactive video installation (activated space that reads visitors interaction with the space and plays a video reaction of the dogs to their interaction)
– Rockstar – work in progress – short HD video with the dog’s head out the car window while driving
– Bikeride – bike mounted camera filming the dogs running with the backdrop of the city changing behind the constant of the dogs

Intern Responsibilities:
– design and build the physical structure used for the project (arching, sculpted pieces to show the displayed data)
– Max MSP to be used to collate and display the data
– create a blog and populate it with information and testing the data within Max MSP for the installation

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Jonathan Aitken, artist/designer in residence at ECUAD researching a project involving animated typography and dance/theatre

http://www.jonathanaitken.ca/

Typographic Play

– text rain – camille utterback and romy achituv installation

– dumb type – memorandum

Flavia

Theatre Gargantua – interactive play with type

Liquid Journey – open source code to create visualized poetry

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Kika Thorne, Programming Coordinator/Curator of VIVO Media Arts Centre

http://www.videoinstudios.com

www.signalandnoise.ca

– looking for interns to help reinvent the VIVO website (new content management infrastructure)
– archival, project management, content management opportunities
– Ryan Trekartin and Willy Lemaitre – upcoming artists coming to VIVO and part of the internship

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Alex Beim, Creative Director of Tanglible Interaction

www.tangibleinteraction.com

– Zygot ineractive balls – inflatable balls with electronics inside that change colour whenever they are pushed
– Sensation White rave party in Amsterdam
– Graffiti Wall – done in the mocap studio here at ECUAD
– created graphics for the Olympic Oval (logo, letterhead and interactive displays/projections)
– Light Beat – interactive ball that flashes to match your heart beat
– Sun-Rype interactive Kiosk – people were made out of fruit – reproduce pixels of people with fruit
– empty bottles with L.E.D.s inside – Baccardi

Current Projects for internship:
1. Lighting Device (LED) that responds to sound

2. Tangible Interaction QB (cube) – system of lights that respond to interactions

What they are looking for:
Graphic Side – help with graphic identity of the company (logo, identity, branding) – create a new experimental identity for the company

Industrial Side – research new materials and techniques to work with for projects

Explore the Space – they are in residence at Lumen Gallery at Tinseltown – they are looking for graphics to be placed there – so not really an opportunity to utilize space there 😦

http://www.lumengallery.org

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Maria Lantin, Director of Intersections Digital Studios on the latest stereographic technologies.

http://www.ecuad.ca/research/ids

Opportunities:
– 3d printer – work with Simon and learn how to utilize them – Figure Prints for THELORAS!!!

http://www.figureprints.com/

– WHIP studios is for wearables/textiles and electronics

– working in MOCAP studio / FID technology to track people as they enter the space

– stereoscopic projection system (full HD)

– Breath IO – virtual video sculpture of lungs

– E-Presence System – allows you to capture live presentations and web casting

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M.Simon Levin and Jer Thorp, head researchers/artists of CODELab an experimental project that looks at surveillance during the 2010 Olympics.

– project commissioned by VANOC and presented during the 2010 Olympics
– social engagement project = art that is designed to be presented in a public space as opposed to a gallery

Project Specifics:
– network of nodes positioned around Granville Island with cameras attached to them (Capture Nodes)
– each node has a mini CPU, GPS, camera and XBee Radio (allows them to talk to the other nodes and relay data to the main CPU capture node located at ECU)
– allows investigation of Neural Networks / Vision / Surveillance
– they developed the GLOCAL project that was shown at the Surrey Art Gallery last year

Opportunities:
– Directed Studies
– Informal participation
– Contribution to research

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Malcolm Levy, Lead Curator / Producer: CODE on the Ground, an exhibition of new media to be held during the 2010 Olympic & Paralympic Winter Games

www.vancouver2010.com/en/culture-and-education/cultural-festival-and-events/code-/-/57316/mrhe7c/index.html

CODE Live – interactive, visual art performances (at night light works as well)

Connect Create and Collaborate
– create an interactive and inspiring experience for a broad international Games time audience
– showcase innovative and interactive installations and performances from Canada and select international artists
– theme of bridging between people and technology
– 3 Venues (ECUAD, Great Northern Way, Woodward’s / W2 in the downtown eastside)

Internship Opportunities:
– exhibition design intern (comm design)
– video documentation
– docents (ambassadors to art pieces)
– artistic management internships
– web editing and photo based online design work
– video editing for web
– technical install assistants
– print design interns

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Henry Tsang and Glen Lowry, researchers on Maraya, a large-scale new media experience that links Dubai with False Creek.

http://www.interactivefutures.ca/tsang.htm

Maraya – arabic for Reflection / Mirror

– telephone pole will have a CPU and video camera (robust, keep it dry)
– tv screen under a grate will showcase the view from the opposite city’s telephone pole portal

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Cheyanne Turions, Programs Manager/Curator of Cineworks Independent Filmmakers Society

http://www.cineworks.ca/

Internship Opportunities:
– helping Meet the Filmakers salon presentation
– Production Registry – needs to be put on the website every year
– Series of programs dealing with World AIDS Day – research around media art dealing with AIDS – help implement that programming

Film Festival going from October 1-16
World AIDS Day is December 1st

Thought on Film – monthly meeting of film theorists and enthusiasts

SWARM – Thursday is concentrated around Main Street – Friday night around Gastown


Future outcomes for the Personal Journeys project…

February 10, 2009

Hello everyone,

I wanted to take this opportunity to once again thank you all for participating in the Personal Journeys art project. The stories that I received from have been heartwarming, inspiring and tragic at the same time. For those of you who have not submitted their stories yet, there is still time to send it in as I am now in the process of compiling the information together. Furthermore, if anyone in the group has reservations about me publishing their names in the final piece, please let me know and I will post your story as anonymous.

To that end, the final piece will be presented to the public a month from now and will be displayed in a blog that I am creating, but I do not see that as the end of this process. My mind is simply on fire with ideas about how to push the envelope of this project further and further. We here at Emily Carr and the entire city for that matter on the verge of a once in a lifetime opportunity because one year from now, the eyes of the entire world will be focused on Vancouver for 16 straight days when the 2010 Winter Olympics begin.

What if we went to the Vancouver Olympic Committee and setup within the athlete’s village to record and document the Personal Journeys that each athlete had to go through in order to make it here to Vancouver. What a wonderful gift that would be to share not only within the village, but to the world as a whole.

Here are some other future project avenues that could be explored:

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>>> To be done for the in-class presentation <<<

1a. Create a blog to document, list and display incoming Journey stories along with the associated graphical line plots – to be then presented to the class and to outside viewers who are invited to participate virtually.

1b. Enlarge and print a few selected Journey stories and graphical line plots and put them on display for the class when the project is presented and possibly the school gallery at the annual student exhibition in the spring.

>>> Pitched the idea to several Emily Carr administration and faculty last week – waiting for results and will followup <<<

2a. Actively seek Emily Carr participation from an administrative level to fund, market or otherwise advance the project to greater reception and accessibility.

2b. Form a team of 3 to 4 dedicated Emily Carr students to go on a road trip to recreate select Journeys in order to document them and in the process request school administration to setup a self-directed co-op program so participating students can get school credits. Outside corporate sponsors in the region could be located to help fund the endeavour and the project scope can be expanded to create a documentary film, book, website or other type of media device.

2c. This team of students would interview the original Journey authors and document the sights, encounters, people, places and otherwise meaningful moments along the Journey. In addition, this team of student artists would cover a wide range of talents and disciplines in order to provide a greater canvas to document the process and scope of the Journeys (ie: Photographer, Videographer, Musician, Writer, Digital Artist…) Each member would add their own unique flavour to the project and allow for inspiration from the Journey itself to drive their own personal art and life experience gained as a result.

2d. Select Journey stories and graphical line plots can be enlarged, printed and put on display in major art galleries, providing greater exposure to the original and subsequent documentary projects. Journey authors could be invited to give guest lectures on their respective Journeys and input kiosks could be installed in galleries to allow viewers to enter their own Journeys and graphical line plots into the database as well, after being inspired from reading of the Journeys of others.

>>> Future possibilities down the road <<<

3a. Pitch the Google Journeys idea directly to Google themselves – seeing as though they have a tremendous budget to work from and http://maps.google.com/  only provides a singular and not immediately meaningful attachment to the graphical line segment produced by the mapping software (ie: it creates a graphical representation of a Trip, not a Journey and certainly not one that is easily linked to others) – whereas if both Google and we as artists could create an immense database of Collective Journeys for people to read through and visualize graphically and tied into other similarly meaningful Journeys.

3b. Google Journeys could become a living and breathing Artwork existing purely on a virtual level and being on display to people around the world 24/7 while constantly being added to and upgraded. Participants would continue to add their own Journeys to the existing project whole and the graphical line would get bigger and bigger. Visual representation of the immense Collective of Journeys could be displayed in real-time as either 2d or 3d display.

3c. Visitors to the Google Journeys website could browse through the database to look up individual Journeys or run searches based on input parameters. As mentioned above, the tree branch analogy is a fitting one, seeing as how jagged and random the waypoints turn the graphical line plot every which way. Individual or select group Journeys could display as being colour coded and then zoomed in on in the 3d display of the Great Tree Branch, where the viewer could then click on and then bring up the author’s individual Journey story.

3d. Similar to a blog setup, visitors could then leave comments for the Journey’s original author and a global dialog could be achieved along with new friendships and greater understanding for one another. Authors and visitors alike could formulate new Journey plans amongst themselves – Shared databases between Google Journeys and Google Video could be extrapolated and linked in order to provide video responses to individual Journeys – the project could become viral in its outcome and scope.

3e. The inherent search engine and search results would provide local companies, hotels, and travel services to be immediately directed to those particular areas covered in the Journey display, allowing ease of use in planning not just a regular trip, but a Journey of your own.

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There you go – these are the thoughts racing through my mind on how to expand this project further so let me know what you think of these options and let’s see how far we can push this because the sky is limit!

Sincerely,

John DeVeaux