Tiesto – Imogen Heap – Hide And Seek (Tiesto’s In Search Of Sunrise Remix)

July 22, 2009

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The beat of this song makes me feel like I am touching the face of God…
– FlashAddict

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Halifax band an overnight Internet sensation with ‘United Breaks Guitars’ song

July 9, 2009

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I’m not the biggest fan of country music, but this guy PWND United Airlines big time!!!
– FlashAddict

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TORONTO – When Halifax’s Dave Carroll got off his United Airlines flight last spring and discovered his $3,500 custom-made guitar was severely damaged – allegedly by overzealous luggage handlers – at first he was mad.

When the airline’s customer service team gave him the runaround and refused to address his complaints to his satisfaction, he was incensed.

But in typically Canadian fashion, the songwriter decided to be the nice guy, shrug off his anger, and instead wrote a song about his experience.

As of Wednesday evening, that song, “United Breaks Guitars,” was the most popular music video on YouTube with about 169,000 views, and to his shock, his phone rang and rang and rang all day, with calls from across the continent.

One minute it was CBS asking him to play the network’s morning show, the next it was CNN, asking for details about his story so he could be featured on “The Situation Room with Wolf Blitzer.”

What started off as a lark has turned into far more exposure than Carroll has ever had with his band Sons of Maxwell, the kind of publicity he could never afford to buy, he said in an interview.

“I’ve been at this for well over 15 years, slugging away at it and … this has been an incredible lift to our career and my career as a solo artist,” he said.

After months of badgering with United for some sort of compensation he gave up, and told the last company representative that he spoke with that he planned to write a trilogy of songs about his disappointing experience.

“The whole thing has been a challenge artistically and that’s what makes this so fun,” he said, and added that he’s no longer bitter or seeking any kind of compensation from United.

“I think not only does it resonate with people because it’s an airline song, which all people can relate to, but I think the fact it’s a light-hearted song and fun is something that everyone can appreciate, because not everyone – including myself – likes to hear angry, hateful songs all the time.”

“It’s nice to have a light-hearted chuckle at things.”

He posted the video late Monday night and went to bed with the view count at about half a dozen. The next day he emailed a few hundred fans, friends and family and within 24 hours, the hits started to grow exponentially, by about 20,000 per hour.

Carroll said United has attempted to call him a couple times since the song went viral online, but he never got to the phone. But someone who spoke with United on his behalf said the company was gracious in accepting the criticism.

“They seem encouraged, by all the bad publicity I guess, to change the way they do things and change the culture of customer complaints,” he said.

“I think they’re actually having a great attitude about the whole thing, they’re not coming across as angry or threatening or anything like that. And maybe this will be a love story at the end of the day,” he said, noting that while song two of his trilogy is already written, song three could be about a happy ending.

http://ca.news.yahoo.com/s/capress/090708/entertainment/halifax_band_vs_united


Jury rules against Minn. mom in download case

June 18, 2009

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A mother is now facing financial ruin over 24 songs on Kazaa…
– FlashAddict

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Retrial with same verdict; she owes recording companies $1.92 million

MINNEAPOLIS – A replay of the nation’s only file-sharing case to go to trial has ended with the same result, finding a Minnesota woman to have violated music copyrights and ordering her to pay hefty damages to the recording industry.

A federal jury ruled Thursday that Jammie Thomas-Rasset willfully violated the copyrights on 24 songs, and awarded recording companies $1.92 million, or $80,000 per song.

Thomas-Rasset’s second trial actually turned out worse for her. When a different federal jury heard her case in 2007, it hit Thomas-Rasset with a $222,000 judgment.

The new trial was ordered after the judge in the case decided he had erred in giving jury instructions.

Thomas-Rasset sat glumly with her chin in hand as she heard the jury’s finding of willful infringement, which increased the potential penalty. She raised her eyebrows in surprise when the jury’s penalty of $80,000 per song was read.

Outside the courtroom, she was resigned.

“There’s no way they’re ever going to get that,” said Thomas-Rasset, a 32-year-old mother of four from the central Minnesota city of Brainerd. “I’m a mom, limited means, so I’m not going to worry about it now.”

Her attorney, Kiwi Camara, said he was surprised by the size of the judgment. He said it suggested that jurors didn’t believe Thomas-Rasset’s denials of illegal file-sharing, and that they were angry with her.

Camara said he and his client hadn’t decided whether to appeal or pursue the Recording Industry Association of America’s settlement overtures.

Cara Duckworth, a spokeswoman for the RIAA, said the industry remains willing to settle but she refused to name a figure.

In closing arguments earlier Thursday, attorneys for both sides disputed what the evidence showed.

An attorney for the recording industry, Tim Reynolds, said the “greater weight of the evidence” showed that Thomas-Rasset was responsible for the illegal file-sharing that took place on her computer. He urged jurors to hold her accountable to deter others from a practice he said has significantly harmed the people who bring music to everyone.

Defense attorney Joe Sibley said the music companies failed to prove allegations that Thomas-Rasset gave away songs by Gloria Estefan, Sheryl Crow, Green Day, Journey and others.

“Only Jammie Thomas’s computer was linked to illegal file-sharing on Kazaa,” Sibley said. “They couldn’t put a face behind the computer.”

Sibley urged jurors not to ruin Thomas-Rasset’s life with a debt she could never pay. Under federal law, the jury could have awarded up to $150,000 per song.

U.S. District Judge Michael Davis, who heard the first lawsuit in 2007, ordered up a new trial after deciding he had erred in instructions to jurors.

For the retrial, Davis instructed the jurors that in order to find Thomas-Rasset infringed any copyrights, they had to determine that someone actually downloaded the songs. He said distribution needed to occur, though he didn’t explicitly define distribution. Before, Davis said simply making the songs available on the Kazaa file-sharing network was enough.

This case was the only one of more than 30,000 similar lawsuits to make it all the way to trial. The vast majority of people targeted by the music industry had settled for about $3,500 each. The recording industry has said it stopped filing such lawsuits last August and is instead now working with Internet service providers to fight the worst offenders.

In testimony this week, Thomas-Rasset denied she shared any songs. On Wednesday, the self-described “huge music fan” raised the possibility for the first time in the long-running case that her children or ex-husband might have done it. The defense did not provide any evidence, though, that any of them had shared the files.

The recording companies accused Thomas-Rasset of offering 1,700 songs on Kazaa as of February 2005, before the company became a legal music subscription service following a settlement with entertainment companies. For simplicity’s sake the music industry tried to prove only 24 infringements.

Reynolds argued Thursday that the evidence clearly pointed to Thomas-Rasset as the person who made the songs available on Kazaa under the screen name “tereastarr.” It’s the same nickname she acknowledged having used for years for her e-mail and several other computer accounts, including her MySpace page.

Reynolds said the copyright security company MediaSentry traced the files offered by “tereastarr” on Kazaa to Thomas-Rasset’s Internet Protocol address — the online equivalent of a street address — and to her modem.

He said MediaSentry downloaded a sample of them from the shared directory on her computer. That’s an important point, given Davis’ new instructions to jurors.

Although the plaintiffs weren’t able to prove that anyone but MediaSentry downloaded songs off her computer because Kazaa kept no such records, Reynolds told the jury it’s only logical that many users had downloaded songs offered through her computer because that’s what Kazaa was there for.

Sibley argued it would have made no sense for Thomas-Rasset to use the name “tereastarr” to do anything illegal, given that she had used it widely for several years.

He also portrayed the defendant as one of the few people brave enough to stand up to the recording industry, and he warned jurors that they could also find themselves accused on the basis of weak evidence if their computers are ever linked to illegal file-sharing.

“They are going to come at you like they came at ’tereastarr,”’ he said.

Steve Marks, executive vice president and general counsel of the Recording Industry Association of America, estimated earlier this week that only a few hundred of the lawsuits remain unresolved and that fewer than 10 defendants were actively fighting them.

The companies that sued Thomas-Rasset are subsidiaries of all four major recording companies, Warner Music Group Corp., Vivendi SA’s Universal Music Group, EMI Group PLC and Sony Corp.’s Sony Music Entertainment.

The recording industry has blamed online piracy for declines in music sales, although other factors include the rise of legal music sales online, which emphasize buying individual tracks rather than full albums.

http://www.msnbc.msn.com/id/31432024/ns/business-local_business/


House of Cards – by Radiohead

March 4, 2009
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Looked at this wonderful video by Radiohead yesterday in class – no cameras or lights were used to capture the footage – they used a new data capture device called LIDAR. We also discussed creative ways of visualizating data and the convergence of science/technology and art – and looked at PROCESSING – a new software program available for free download that enables artists to further visualize their work as well…
– FlashAddict

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http://radiohead.com/deadairspace/

Radiohead just released a new video for its song “House of Cards” from the album “In Rainbows”.

No cameras or lights were used. Instead two technologies were used to capture 3D images: Geometric Informatics and Velodyne LIDAR. Geometric Informatics scanning systems produce structured light to capture 3D images at close proximity, while a Velodyne Lidar system that uses multiple lasers is used to capture large environments such as landscapes. In this video, 64 lasers rotating and shooting in a 360 degree radius 900 times per minute produced all the exterior scenes.

Watch the making-of video to learn about how the video was made and the various technologies that were used to capture and render 3D data.

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HOUS_E OF/CARDS

In Radiohead’s new video for “House of Cards”, no cameras or lights were used. Instead, 3D plotting technologies collected information about the shapes and relative distances of objects. The video was created entirely with visualizations of that data.

Directed by James Frost
From the album IN RAINBOWS

Go to: http://code.google.com/radiohead to find additional pieces of data to create your own visualizations. Upload the results here:
http://www.youtube.com/group/houseofcards

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PROCESSING

Processing is an open source programming language and environment for people who want to program images, animation, and interactions. It is used by students, artists, designers, researchers, and hobbyists for learning, prototyping, and production. It is created to teach fundamentals of computer programming within a visual context and to serve as a software sketchbook and professional production tool. Processing is an alternative to proprietary software tools in the same domain.

Processing is free to download and available for GNU/Linux, Mac OS X, and Windows. Please help to release the next version!

Processing is an open project initiated by Ben Fry and Casey Reas. It evolved from ideas explored in the Aesthetics and Computation Group at the MIT Media Lab. The project is currently improved and maintained by a small team of volunteers.

http://processing.org/

Examples of what Processing can do:

http://www.michael-hansmeyer.com/projects/project4.html

http://www.processing.org/learning/3d/cubicgrid.html


Mad World – which version do you like best?

March 2, 2009
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One of my all-time favorite sons, Mad World, originally by Tears for Fears has been redone countless times and in each new interpretation, artists have brought their own passion and truth to what is in my opinion a very haunting and provocative song. I was amazed to find that the song has been used to the extent that is has been – see below and enjoy!
– FlashAddict

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– fan made Machinima trailer that covers the entire song – was inspired after watching the original trailer above

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All around me are familiar faces
Worn out places, worn out faces
Bright and early for their daily races
Going nowhere, going nowhere
Their tears are filling up their glasses
No expression, no expression
Hide my head I want to drown my sorrow
No tomorrow, no tomorrow
And I find it kind of funny
I find it kind of sad
The dreams in which I’m dying
Are the best I’ve ever had
I find it hard to tell you
I find it hard to take
When people run in circles
It’s a very, very
Mad World
Mad world
Children waiting for the day they feel good
Happy Birthday, Happy Birthday
And I feel the way that every child should
Sit and listen, sit and listen
Went to school and I was very nervous
No one knew me, no one knew me
Hello teacher tell me what’s my lesson
Look right through me, look right through me
And I find it kind of funny
I find it kind of sad
The dreams in which I’m dying
Are the best I’ve ever had
I find it hard to tell you
I find it hard to take
When people run in circles
It’s a very, very
Mad World
Mad World
Enlarging your world
Mad World.
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Background

“Mad World” began life as the intended b-side for Tears for Fears’ second single “Pale Shelter (You Don’t Give Me Love)”. The band decided, however, that it may be something people would like to hear on the radio and held back its release, instead waiting to issue the song as a single in its own right after re-recording it with Chris Hughes.

That came when I lived above a pizza restaurant in Bath and I could look out onto the centre of the city. Not that Bath is very mad – I should have called it “Bourgeois World”!

Roland Orzabal

“Mad World” was the first single off the finished album. The intention was to gain attention from it and we’d hopefully build up a little following. We had no idea that it would become a hit. Nor did the record company.

Curt Smith

Meanings

Lyrically the song is pretty loose. It throws together a lot of different images to paint a picture without saying anything specific about the world.

Roland Orzabal

It’s very much a voyeur’s song. It’s looking out at a mad world from the eyes of a teenager.

Curt Smith

Mad World” is a song by the British band Tears for Fears. Written by Roland Orzabal and sung by bassist Curt Smith, it was the band’s third single release and first chart hit, reaching #3 on the UK Singles Chart in November 1982. Both “Mad World” and its b-side, “Ideas As Opiates”, would turn up on the band’s debut LP The Hurting the following year. The song would eventually become Tears for Fears’ first international success, reaching the Top 40 in several countries between 1982 and 1983.

Two decades later, the song made a popular resurgence when it was covered by composers Michael Andrews and Gary Jules for the soundtrack to the movie Donnie Darko. This version reached no.1 in the UK in December 2003.

Michael Andrews and Gary Jules version


“Mad World” would achieve a second round of success beginning almost twenty years later, after it was covered by Michael Andrews and Gary Jules for the film Donnie Darko (2001). While the Tears for Fears version featured various synthesizers and percussion, the Andrews/Jules version was stripped down. Instead of a full musical backing, it used only a set of piano chords, a cello, and modest use of a vocoder on the chorus. Their version was originally released on CD in 2002 on the film’s soundtrack, but an increasing cult following spawned by the movie’s DVD release finally prompted Jules and Andrews to issue the song as a proper single. The release was a runaway success in late 2003, becoming the Number One single over the Christmas holiday in the UK, a feat Tears for Fears themselves never accomplished. The music video has been very popular on Youtube, garnerning over 11 million views as of 2009.

Popular culture

In late 2006, a condensed version of the Andrews/Jules cover of “Mad World” was featured in the award-winning commercial for the video game Gears of War. The advertisement has been credited with helping propel the song to #1 on the iTunes sales chart. In addition to its usage in numerous advertisements and fan-made YouTube videos, the Andrews/Jules cover has also become a popular choice for background music in television dramas, having appeared in the following series:

  • Cold Case
  • CSI
  • Emmerdale
  • ER
  • Jericho
  • Judging Amy
  • Las Vegas
  • Line of Fire
  • Medical Investigation
  • Nip/Tuck
  • Silent Witness
  • Smallville
  • Station X
  • Tatort
  • The Cleaner
  • The L Word
  • Third Watch
  • Without a Trace

In 2006, the song appeared on Broadway as the closing number in Butley starring Nathan Lane.

Other versions

In addition to the Andrews/Jules version, “Mad World” has been recorded over the years by the following artists:

  • French artist Nicola Sirkis, frontman of the new wave band Indochine, on his solo album Dans La Lune… (1992).
  • American industrial rock band Kill Switch…Klick, on the Cleopatra Records compilation New Wave Goes To Hell (1998).
  • American alternative rock band Finch, on their EP Rolling Stone Acoustic Session (2002).
  • British singer-songwriter Alex Parks, on her debut album, Introduction (2003).
  • American industrial act Brainclaw, downloadable on their website (2004).
  • American metalcore band Evergreen Terrace, on their album Writer’s Block (2004).
  • German punk rock band Die Toten Hosen, on their live DVD Rock am Ring 2004 (2004).
  • Australian art rock band The Red Paintings, on their EP Walls (2005). This cover features an acoustic cello and guitar arrangement. While they modified the lyrics from the original version, in live performances they are known to enunciate words in different fashion giving it an altogether unique sound.
  • German DJ Jan Wayne, on his single Mad World (2005).
  • American singer-songwriter Sara Hickman, on her double album Motherlode (2006).
  • Canadian rock bassist Ken Tizzard, on his album Quiet Storey House… An Introduction (2006).
  • German a cappella group Wise Guys, on their album Radio (2006).
  • American dark cabaret duo The Dresden Dolls, on their live DVD Live at the Roundhouse (2007). The performance features Trash McSweeney of Australian art rock band The Red Paintings.
  • Canadian folk-singer Tara MacLean, on her EP Signs of Life (2007).
  • German vocal band Gregorian, on their album Masters of Chant Chapter VI (2007).
  • Vietnamese-Canadian singer Kristine Sa recorded a cover of the song.
  • Israeli actress and model Melanie Peres recorded a cover of the song, as the theme song of Reshef Levy‘s film, “Lost Islands“.

http://en.wikipedia.org/wiki/Mad_world


Tom Waits is The Man…

February 5, 2009

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Tom doing what Tom does – absolutely priceless…
– FlashAddict

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http://www.tomwaits.com


Blocked by Facebook – Personal Journeys – Help John with his Art Project

January 17, 2009

Hello everyone,

Well, I guess the automated powers that be at Facebook have blocked me from sending out anymore Friend Requests to fellow Emily Carr University students/faculty/associates linked in to the school groups that can be found when you do a search. I can understand why they have such automated features, but it’s frustrating to be lopped into the same category as spammers, phishers or other types of crooks.

Because of this, I am asking for your help. If you feel that this project has merit and is worth the effort to bring in others to tell their stories as well, I would like to ask you to invite your friends to join the event. The future of this project is now in your hands as I cannot do it without you. Please help me in seeing this project become a reality because it means so much to me and I know that it means a great deal to you as well.

Sincerely,

John DeVeaux

– Here is the link to the Facebook event page -Personal Journeys – Help John with his Art Project

http://www.facebook.com/event.php?eid=46093168338

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As a gift to everyone, please go to:

https://flashaddict.wordpress.com/2009/01/15/shot-by-shot-analysis-of-the-music-video-glosoli-by-sigur-ros/

The lyrics are sung in Icelandic, yet one need not know what the words mean in order to interpret the value and depth that they and the imagery convey. I actually don’t want to know what the lyrics translate to in English because it would take away the beauty and serenity that I found interpreting it myself.

Enjoy!

Instructions:
1. Watch the full video without pause to understand the essence of the piece.

2. Read through my shot-by-shot written breakdown.

3. Watch the video again and take in a new personal understanding of the imagery.

4. Rewind and go back to individual shots and if you feel inspired, write down what they mean to you and compare them to mine.

5. Smile and feel a sense of peace = All will be OK.

John

Please be kind to my film terminology – there were so many terms that we learned last semester, that it was a bit of information overload and I may have mixed some up 🙂

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PS After spending 15 minutes trying to find out how to actually send an email to Facebook customer service, I sent them the following letter asking for their help as well:

To whom it may concern,

I was just recently blocked from sending friend requests on Facebook. As a result of that, I felt it would be prudent that I send you an email to let you know that I am not some dirty old man trying to prey on young children, nor am I a nefarious crook trying to swindle little old ladies out of their life savings.

I understand that you guys have to have set TOS standards and I know why I was tacked onto the list of possible spammers/crooks by sending friend requests. I have been in your shoes as I have worked many customer service gigs, most importantly when I worked for eBay in their investigations department and had to respond to complaints sent in my members about other members, with spam being one of the biggest issues reported.

That being said however, I am just an aspiring art student struck by inspiration and in the process of trying to invite people to join my Art Project as I feel that it is a great event to participate in. I am not trying to sell anything, I am just asking people to share their stories with me and am sending Friend Requests to my fellow art students and art enthusiasts (people who would want to participate in such an event). I’m not asking for much here, but please check out my event page and see for yourself “Personal Journeys – Help John with his Art Project.” I’m not a bad guy, I’m just trying to create a beautiful piece of art and to allow people to tell others their story.

Please let me know where I can go from here – I need your help.

Sincerely,

John DeVeaux