Starting my own mobile motion capture company

January 28, 2010

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I am currently in the process of starting up my own mobile motion capture company right now and am looking at beginning operations as of March 1st. My partner and I are in the final stages of compiling our business plan, market research and organizing capital investment and things look very promising for the future.

You can also watch the following demo reel provided by the motion capture suit manufacturer and see the suit’s capabilities yourself:

XSENS also went down to Vail, Colorado last month and did a shoot on the mountain trails down there:

http://www.xsens.com/

– FlashAddict

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Video Art – Thursday @ Emily Carr

January 16, 2009

Labyrinth – Jim Henson

– behind the scenes making of video
– his son Brian is a master puppeteer
– needs a multitude of people to rehearse in order to match the actor, facial features and voice over to synch
– 75 pound costume giant ogre type monster
– large orc costume for Humongous – weighed several tons
– reminds me of Return of the Jedi behind the scenes footage with 3-4 guys in the Jabba the Hut costume/contraption
– there was one midget pulling back and forth on an oar lever for hours and hours on end to move Jabba’s tail

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Tell it to the Fishes – http://www.Futureshorts.com
– Dylan Moran fand the Indian daughter rom Run Fatboy Run
– great short film
http://www.Futureshorts.com

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Arcade Fire – Miroir, Noir, Neon bible Archives – by Vincent Moon

– long continuous shot as they emerge from their dressing room on their way up to the stage
– they pause in the elevator and breakout into the song even though they are squished together
– at the end of the concert, they walk into the crowd itself like a traveling band
– drummer ripping the magazine in place of hitting a snare and he just had enough pages to last till the end of the song = Serendipity
– Montreal based band and large number of members

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Requiem for a Dream – Darren Aronofsky

– JUICE BY TAPPY – JUICE BY TAPPY – JUICE BY TAPPY
– WOHHHHHHHHHHHHHHHHHhhhhhhhhhhh…
– WE GOT A WINNER – WE GOT A WINNER
– split screen shot showing conflict between mother and son
– keyhole mask shot looking into the other room showing her son’s drug crazed rant
– Requiem for a Dream title dissolves into dust like heroin (will be used for rest of intro credits shortly)
– son walks the gauntlet of the other retired widows in their lawn chairs in front of the apartment building
– used carrot on a stick type camera shot to look back at characters as they walk (reverse shot wobble cam)
– shows the brutality of drug addiction in the full light of day
– opening sequence sets the tone for the rest of the film – sense of desperation – develops character conflicts
– physically painful to watch this film – which is a powerful and tangible reaction to feel
– adds to the theme about the depths that drug addicts will sink to in order to fuel their habits

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HANDMADE ART – Maya Hayuk

– otherwise known as Miss Tint because she would go to the hardware store and purposely pick out the missed tint paint colours that no one wanted
– Big Vagina Clapping Mouth = epic win!
– massive installation mural is shown at the 4:55 mark of the video
– had no pre-conceived plan for the mural, just let inspiration flow out of her
– likes to do a lot of outdoor environmental work – abandoned corrugated metal buildings
– Barnstormers in North Carolina

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Mister Lonely – Harmony Korine

– otherwise disjointed imagery, themes and plot lines that are linked together into a collective piece

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TRANSIT REMIX – MOMENTFACTORY.COM
– upload website for minute long short films
– impressionistic extrapolation of dream state imagery
– again, otherwise disjointed imagery, themes and plot lines that are linked together into a collective piece
– photography/video overlays
http://www.momentfactory.com

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Eternal Sunshine of the Spotless Mind – Michel Gondry

– Jim Carrey and Kate Winslet scene on the couch
– row row row your boat, gently down the stream…merrily merrily merrily life is but a dream
– duality between the nursery rhyme and the dream/memory sequence
– Jim Carrey as a 4 year old boy and Kate Winslet as his babysitter (love the knee high go-go boots)
– false perspective used to show height/size differences
– they take on the aspect of their memory characters – Jim starts acting like a 4 year old

Scene 2
– drive-in sequence as they start erasing his memories
– car disappears – then the fence – then the faces of characters

– similar to Let Forever Be – Chemical Brothers video directed by Michel Gondry as well

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Gummo – Harmony Korine

Rabbit Junkyard scene

– IMBREEDERS – po white trash on display
– SMELLS LIKE WET PUSSY…LIKE A WET LIMP DICK!!!

Tap Scene

– kid looks like the imbred boy from Deliverance
– weightlifting with taped up cutlery as dumbbells
– oh god he’s working out to Madonna’s Like a Prayer
– got his balls popped?!?!?
– this kid has the longest skinniest face I’ve ever seen
– his mother is doing the funky kitchen

Gummo & Spaghetti

– OH MY FUCKING GOD – this is sick
– mmmmmm there’s some good eats there
– love the shot of the spiked up shampoo hair slowly dropping to end the scene!
– was this shot scripted? I highly doubt it, which gives it greater value and emotional attachment
– cinema verite structure = this is a snapshot of poor, uneducated america – this stuff probably really does happen

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GRADIUS III – SNES Video Game by Konami

– the 7-11 in Tsawwassen got a $hit load of money out of my pockets due to this arcade game
– clean + simple + effective = my design/artistic philosophy

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INSOMNIA – by Christopher Nolan

– quote from the original article Pacino: The Legend Speaks – “A scene like that shouldn’t be perfect. It should be spontaneous. That’s what it’s about.”
– this scene actually makes the audience hold its collective breath
– the imperfection of the scene adds to its value – the scene should not be staged – instead it should be allowed to unfold as it naturally would
– theme of chance and its role in film is important to consider and how it can affect the plot
– just the general premise of having the typical premise of a cops and robbers chase scene, yet having it situated on rolling logs completely takes it to a new dimension of complexity

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THE TAKE-AWAY SHOWS – WWW.BLOGOTHEQUE.COM
– cinema verite video documentation of major bands doing live musical performances in speak easy type locales

YEASAYER
– guerilla style type musical performance similar to Arcade Fire – Miroir, Noir, Neon bible Archives – by Vincent Moon – as seen above
– using found musical instruments on site and meshing them into the music
– haha the neighbours came up to complain about the noise level – hilarious $hit!
– erosion of the cult of celebrity
http://www.blogotheque.com

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Self Portrait – Jenny Saville

– definitely in your face painting – no stone left unturned as it were
– interesting and dynamic angles and shapes are created by the folds and curves of the muscles limbs
– makes her look intimidating as she looks down – the scale of the painting as well intimidates the audience (7′ x 9′)
– Manic Street Preachers – The Holy Bible album cover

http://en.wikipedia.org/wiki/Jenny_Saville

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The Science of Sleep – Michel Gondry
Dream Sequence

– my classmate isn’t interested in the plot or characters per say but in the costume and set design used for the film
– turns out it was only a dream – windows opening turn out to be his eyes

If you rescue me

– the main character’s brain says, “I’m exhausted…I’m gonna wake up now” – brilliant line!
– recycled material used to create backgrounds and props – just like Urban Source here in Vancouver


Reading the Screen – This week’s film clips

October 3, 2008

CONCEPTUAL / EXPERIMENTAL FILM
– what are your physiological responses to watching this film?
– how is the film engaging you?
– using new technology to inquire about itself (optical printer)
– goldrush to explore new possibilities that the technologies can usher in

Ballet Mechanique – dir Fernand Leger

Part 1

Part 2

Mothlight – dir Stan Brakhage

Wavelength – dir Michael Snow

Pas de Deux – dir. Norman McLaren

Part 1 – all I have to say is WOW – what an incredible film

Part 2

Un Chien Andalou – dir. Luis Banuel

Meshes of the Afternoon – dir Maya Deren

Variations on a Cellophane Wrapper – dir David Rimmer
– I couldn’t find a clip of the film, but here are some informational links if you want to learn more
http://www.google.ca/search?q=Variations+on+a+Cellophane+Wrapper+David+Rimmer&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a
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Pièce Touchée – dir Martin Arnold

“pièce touchée, Martin Arnold, Austria,16mm Film, b&w, 16 min
Arnold’s breakthrough film, pièce touchée, is based on a single 18-second shot from The Human Jungle (dir. Joseph M. Newman, 1954). Woman sitting in a chair. Man enters the room. Man and woman kiss. Exit man.”
– from the YouTube description

– this is only half of the film as a whole – could only get the first 9 minutes of the piece from YouTube

personal notes:

– b/w film – opens with a woman sitting on a chair in a living room reading a newspaper
– humming / mechanical noise overlay
– repetitive film – no movement at all other than fingers and head
– starts with only one frame then slowly builds up with the number of frames
– back and forth with forward and backward movement of the frames as the man enters the room
– mirroring imagery from left to right = cool effect on the eyes
– her head appears to swivel a complete 360 as the scene repeats and mirrors itself
– the man goes down and kisses the woman finally
– various editing techniques follow to the end…

in-class round table discussion:

– motion study / repetitive motion study
– changes of planes / changes of perception
– disorientation and uncomfortable
– dealt with time – kept revisiting and repeating frames
– absurdity of everyday domestic scene
– sound was mechanic humming
– story interpretation of repetition
– negation of story narrative
– metaphor / felt like we were inside a washing machine
– creation of new images using existing frames / transformation
– underlying issues of domesticity (violence / sexuality)
– issues of dominance, power and gender
– introduction of new editing techniques
– abstraction of shapes and creation of negative space
– interesting effects of animation (head spinning / rotating)
– soundtrack gives a dehumanized / mechanized theme to the piece (lack of humanity)
– unexpected editing techniques (reversals, mirrors, motion, movement)
– Experimental / Found Footage film piece
– too long? too repetitive? (was it intended?)
– no finality at the end – felt incomplete – where did it end? what does it mean?
– resolution irrelevant – it is an experimental film by nature
– A Touching Piece / Touched Piece – what does the title actually refer to?
– critique of cinema / society at the time (Hollywood system and view of society)
– expanded cinema (new term for avant-garde / experimental / innovative)