Dying Briton ‘wrote killer’s name in blood’

May 5, 2009

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Pretty messed up story I came across today…
– FlashAddict

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LONDON (AFP) – A British student desperately tried to scrawl the name of his German love rival in his own blood as he was being stabbed to death, a court heard on Tuesday.

Matthew Pyke was knifed more than 80 times by German office worker David Heiss, who had become obsessed with his girlfriend after getting to know the couple through a computer games website, Nottingham Crown Court heard.

Jurors were shown a photograph of Pyke’s computer with the first three letters of Heiss’s first name scrawled in blood on the side in what the prosecution says was an apparent attempt to alert police.

The object of Heiss’s affection was Joanna Witton, 21, who lived with Pyke.

Heiss, also 21, from Limburg near Frankfurt, denies murder. He claimed he stabbed 20-year-old Pyke in self-defence at Pyke’s flat in Nottingham on September 19 last year.

The German said he was fighting Pyke for his knife in the moments before he allegedly murdered him.

“He charged at me. I was trying to push his arms away so they wouldn’t make contact with me. I stumbled back and fell on the table,” Heiss said.

“He lost the knife when it fell to the floor near the table. He tried to crawl towards it but I tried to prevent it by sitting on him. After a few seconds I got hold of it.

“He started kicking me in the back and he was looking at me angrily. I was lucky that I was still alive. I was almost sure that if I had lost the knife it would have been my end.

“I don’t know if it was adrenalin but I managed to get my arm away and then I stabbed him.”

Heiss, who lived with his grandmother, used to spend up to eight hours a day on his computer, the court heard.

He met Pyke and his girlfriend through the warscentral.com website and managed to obtain their address. He visited them several times in England but the couple grew increasingly annoyed by his attentions.

The prosecution says that Heiss eventually flew to Britain and lay in wait outside Pyke’s home, pouncing on him after seeing his girlfriend leave for work, before changing his clothes and fleeing back to Germany.

http://ca.news.yahoo.com/s/afp/090505/world/britain_germany_trial


David After Dentist

February 24, 2009

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I first came across David After Dentist a few weeks ago and laughed my a$$ off, even more as I watched the remixes and spoofs continue on!
– FlashAddict

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The one and only original David…

The First Viral Remix begins…

And now it’s gone overboard lol…


A Lonely Sky

February 21, 2009

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This is a great short film that I found earlier today – a true diamond in the rough – great special effects, great story and great performances all around, including Keir Dullea, who played David Bowman in 2001!
– FlashAddict
– edit – The embedding has been disabled, so just click in the middle of the video box and it will open up a new tab in your browser and take you directly to YouTube to watch the videos…

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In 1947, a test pilot who will risk his life to break the sound barrier, is forced to question his reasons and abilities by a strange, yet familiar man…

http://www.talantisfilms.com


Tom Waits is The Man…

February 5, 2009

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Tom doing what Tom does – absolutely priceless…
– FlashAddict

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http://www.tomwaits.com


Video Art – Thursday @ Emily Carr

January 16, 2009

Labyrinth – Jim Henson

– behind the scenes making of video
– his son Brian is a master puppeteer
– needs a multitude of people to rehearse in order to match the actor, facial features and voice over to synch
– 75 pound costume giant ogre type monster
– large orc costume for Humongous – weighed several tons
– reminds me of Return of the Jedi behind the scenes footage with 3-4 guys in the Jabba the Hut costume/contraption
– there was one midget pulling back and forth on an oar lever for hours and hours on end to move Jabba’s tail

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Tell it to the Fishes – http://www.Futureshorts.com
– Dylan Moran fand the Indian daughter rom Run Fatboy Run
– great short film
http://www.Futureshorts.com

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Arcade Fire – Miroir, Noir, Neon bible Archives – by Vincent Moon

– long continuous shot as they emerge from their dressing room on their way up to the stage
– they pause in the elevator and breakout into the song even though they are squished together
– at the end of the concert, they walk into the crowd itself like a traveling band
– drummer ripping the magazine in place of hitting a snare and he just had enough pages to last till the end of the song = Serendipity
– Montreal based band and large number of members

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Requiem for a Dream – Darren Aronofsky

– JUICE BY TAPPY – JUICE BY TAPPY – JUICE BY TAPPY
– WOHHHHHHHHHHHHHHHHHhhhhhhhhhhh…
– WE GOT A WINNER – WE GOT A WINNER
– split screen shot showing conflict between mother and son
– keyhole mask shot looking into the other room showing her son’s drug crazed rant
– Requiem for a Dream title dissolves into dust like heroin (will be used for rest of intro credits shortly)
– son walks the gauntlet of the other retired widows in their lawn chairs in front of the apartment building
– used carrot on a stick type camera shot to look back at characters as they walk (reverse shot wobble cam)
– shows the brutality of drug addiction in the full light of day
– opening sequence sets the tone for the rest of the film – sense of desperation – develops character conflicts
– physically painful to watch this film – which is a powerful and tangible reaction to feel
– adds to the theme about the depths that drug addicts will sink to in order to fuel their habits

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HANDMADE ART – Maya Hayuk

– otherwise known as Miss Tint because she would go to the hardware store and purposely pick out the missed tint paint colours that no one wanted
– Big Vagina Clapping Mouth = epic win!
– massive installation mural is shown at the 4:55 mark of the video
– had no pre-conceived plan for the mural, just let inspiration flow out of her
– likes to do a lot of outdoor environmental work – abandoned corrugated metal buildings
– Barnstormers in North Carolina

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Mister Lonely – Harmony Korine

– otherwise disjointed imagery, themes and plot lines that are linked together into a collective piece

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TRANSIT REMIX – MOMENTFACTORY.COM
– upload website for minute long short films
– impressionistic extrapolation of dream state imagery
– again, otherwise disjointed imagery, themes and plot lines that are linked together into a collective piece
– photography/video overlays
http://www.momentfactory.com

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Eternal Sunshine of the Spotless Mind – Michel Gondry

– Jim Carrey and Kate Winslet scene on the couch
– row row row your boat, gently down the stream…merrily merrily merrily life is but a dream
– duality between the nursery rhyme and the dream/memory sequence
– Jim Carrey as a 4 year old boy and Kate Winslet as his babysitter (love the knee high go-go boots)
– false perspective used to show height/size differences
– they take on the aspect of their memory characters – Jim starts acting like a 4 year old

Scene 2
– drive-in sequence as they start erasing his memories
– car disappears – then the fence – then the faces of characters

– similar to Let Forever Be – Chemical Brothers video directed by Michel Gondry as well

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Gummo – Harmony Korine

Rabbit Junkyard scene

– IMBREEDERS – po white trash on display
– SMELLS LIKE WET PUSSY…LIKE A WET LIMP DICK!!!

Tap Scene

– kid looks like the imbred boy from Deliverance
– weightlifting with taped up cutlery as dumbbells
– oh god he’s working out to Madonna’s Like a Prayer
– got his balls popped?!?!?
– this kid has the longest skinniest face I’ve ever seen
– his mother is doing the funky kitchen

Gummo & Spaghetti

– OH MY FUCKING GOD – this is sick
– mmmmmm there’s some good eats there
– love the shot of the spiked up shampoo hair slowly dropping to end the scene!
– was this shot scripted? I highly doubt it, which gives it greater value and emotional attachment
– cinema verite structure = this is a snapshot of poor, uneducated america – this stuff probably really does happen

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GRADIUS III – SNES Video Game by Konami

– the 7-11 in Tsawwassen got a $hit load of money out of my pockets due to this arcade game
– clean + simple + effective = my design/artistic philosophy

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INSOMNIA – by Christopher Nolan

– quote from the original article Pacino: The Legend Speaks – “A scene like that shouldn’t be perfect. It should be spontaneous. That’s what it’s about.”
– this scene actually makes the audience hold its collective breath
– the imperfection of the scene adds to its value – the scene should not be staged – instead it should be allowed to unfold as it naturally would
– theme of chance and its role in film is important to consider and how it can affect the plot
– just the general premise of having the typical premise of a cops and robbers chase scene, yet having it situated on rolling logs completely takes it to a new dimension of complexity

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THE TAKE-AWAY SHOWS – WWW.BLOGOTHEQUE.COM
– cinema verite video documentation of major bands doing live musical performances in speak easy type locales

YEASAYER
– guerilla style type musical performance similar to Arcade Fire – Miroir, Noir, Neon bible Archives – by Vincent Moon – as seen above
– using found musical instruments on site and meshing them into the music
– haha the neighbours came up to complain about the noise level – hilarious $hit!
– erosion of the cult of celebrity
http://www.blogotheque.com

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Self Portrait – Jenny Saville

– definitely in your face painting – no stone left unturned as it were
– interesting and dynamic angles and shapes are created by the folds and curves of the muscles limbs
– makes her look intimidating as she looks down – the scale of the painting as well intimidates the audience (7′ x 9′)
– Manic Street Preachers – The Holy Bible album cover

http://en.wikipedia.org/wiki/Jenny_Saville

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The Science of Sleep – Michel Gondry
Dream Sequence

– my classmate isn’t interested in the plot or characters per say but in the costume and set design used for the film
– turns out it was only a dream – windows opening turn out to be his eyes

If you rescue me

– the main character’s brain says, “I’m exhausted…I’m gonna wake up now” – brilliant line!
– recycled material used to create backgrounds and props – just like Urban Source here in Vancouver


The SHOT – Reading the Screen

November 15, 2008

THE SHOT
= the smallest unit in film – when the camera starts / records / then stops
– compared to language (word, letter) – a shot in film is like a sentence
– when you write, you start with a sentence or a phrase (are you writing an essay, letter, poem…and you build your structure from there)
– every film starts with a shot (feature film, documentary, animation…and you build your film from there)
– film maker decides how the shot will be setup

– how the film image is photographed – based on film stocks and immulsion (b/w, high contrast, low contrast…)
– technicolor was an invention developed in the 1930’s
– tinting = dip b/w film into a bath of dye
– toning = positive print developed and dye is added

DAISIES – dir Vera Chytilova

– film made just prior to the Soviet takeover in 1968 – they went nuts over it and forbid her from making any further films
– great example of toning

– overexposure and underexposure
– under crank film speed was a throw back to early film days from manually cranked cameras = high speed when projected
– over crank = slow motion when it plays through the projector
– wide angle lens = distortion – normal lens is 35 to 50 mm – telephoto lens = character takes forever to move forward:

THE GRADUATE

– depth of field refers to what is in focus in the frame
– deep space – director stages action that is in focus on several different planes (Citizen Kane)
– selective focus = multiple plane action but only one is in focus
– CITIZEN KANE = faster film, shorter focal length lenses, deep focus
– pulling/rack focus = Mission Impossible – Jean Reno holding the rope in the air duct – in comes the rat and he is terrified

SPECIAL EFFECTS
– super imposition = one image over another and put in through the projector
– rear projection = driving and projecting a street scene behind the actors
– front projection – camera films through a 2-way mirror
– mattework = actor is filmed on a blue screen

Aspect Ratios
Academy Ratio = 1.33 / 1 (oldest and was the standard for a long time)
Widescreen = 1.85 / 1

CAMERA SHOTS
– extreme long shot = panorama – cannot see people – just the landscape
– long shot = large area but also has characters
– full shot = full figures and it is the size of what would be a stage
– medium long shot = from the knees up
– medium shot = waist up (also known as the sitcom shot)
– medium close up = head and shoulders

– close up = head / hand / foot only
– extreme close up = extremely close viewpoint of one part of someone’s anatomy (Citizen Kane = saying Rosebud – only see his lips)

– cut away / insert = information only – hands reading a letter / inserting a key into a lock
– point of view = what the character sees
– mask = character looking through a telescope / keyhole = black mask area to signify this
– over the shoulder = conversation shot
– dirty over the shoulder = shoulder is in frame of the conversation shot
– reaction shot = very manipulative (AAHHHHHHHHHHHHHHHH reaction…)

STATIONERY CAMERA ANGLES
– straight overhead = bird’s eye view (Lullaby of Broadway / Mystic River – when Sean Penn realizes his daughter is the body)

– high angle = when the camera is looking down on a subject (used as to be read as having a certain significance – subject is read to be vulnerable, powerless or insignificant)
– eye level = documentary and comedy in order to see what is happening
– low angle = camera is low looking up (subject seems menacing, overpowered or important)
– extreme low angle / worm’s eye = camera in the floor looking up
– oblique/canted/dutch angle = tilted or askew (Do The Right Thing)
– mobile camera = camera is stationery but the camera pans from right to left (street shot panning and then stops when main character enters frame and starts following them in the other direction
– tilt = camera moves up and down (camera tilting down to show Dorothy’s Red Ruby shoes)
– switch pan = camera is stationery but there is a swoosh showing a change (Citizen Kane breakfast scene in the first marriage)

– zooming in and zooming out = camera doesn’t move but moving in with the zoom (implies finding out what the character is thinking – or Godfather zoom out intro with Marlon Brando)

– snap zoom = instead of cutting back and forth they use this instead (see kung fu movies – camera follows the action of the punches/kicks

MOVING CAMERA ANGLES
– dolly shot = use push in or pull back
– tracking = dolly shot where they actually lay down tracks
– traveling/trucking = camera on a vehicle and film the people on that vehicle
– hand held = camera operator following the actors (the conformist / blair witch)
– vertigo = made famous by Alfred Hitchcock (dolly in as you zoom out or vice versa)
– steady cam = Goodfellas shot
– space cam =  flying aircraft with a camera built into it (Into the Sea with Javier Bardem)
– crane shot / cherry picker
– jib shot = camera goes up or down along a mast
– aerial = airplane shot

LAWRENCE OF ARABIA – dir. David Lean
– incredible range of shots used in this film

DO THE RIGHT THING
– Spike Lee started internships with the unions so that they would hire more women and people of colour
– based on an actual event of a race riot that took place in Howard Beach
– several black men had a flat tire in front of an Italian bar and were chased out by the Italians are one tripped and was killed when hit by a car
– 24 hour period from one morning to the next – set in the neighborhood
– Samuel L. Jackson plays the DJ and ties the setting and characters together
– Radio Rahim was always shot solitary to showcase his lack of wanting to be part of the community and low angle to show him being imposing
– statistic of when the temperature goes over 95%, the murder rate rises as well as people lose their tempers much easier
– film ends with differing quotes from Martin Luther King Jr. and Malcolm X (non violence versus intelligent self-defence)
– restlessly wandering camera – starting on a closeup then move all over the place

TOUCH OF EVIL – dir. Orson Welles

– probably the most famous sequence shot / long take
– instead of close up, followed by pan to long shot, a long series of shots are choreographed into one single shot

TOKYO STORY – dir. OZU

– filmed at the height of a person kneeling on a Japanese tatami mat
– usually full shots with people moving in and out of the frame
– focuses on family drama / stories – focus on Japan but they are universal
– flips traditional Hollywood convention by crossing 180 degree line where characters and settings flip perspective

TRAGIC STORY WITH HAPPY ENDING – dir. REGINA PESSOA

– director had a schitzophrenic mother – very aware about being different and the community’s reaction to her mother
– draws each phase on a piece of paper – each frame is photocopied onto glossy paper -indian ink is drawn in on top of the drawing and then uses a razor blade to scratch into the ink – background is on a separate piece of paper and scanned in – superimposed to form the final image


Reading the Screen – This week’s film clips

October 3, 2008

CONCEPTUAL / EXPERIMENTAL FILM
– what are your physiological responses to watching this film?
– how is the film engaging you?
– using new technology to inquire about itself (optical printer)
– goldrush to explore new possibilities that the technologies can usher in

Ballet Mechanique – dir Fernand Leger

Part 1

Part 2

Mothlight – dir Stan Brakhage

Wavelength – dir Michael Snow

Pas de Deux – dir. Norman McLaren

Part 1 – all I have to say is WOW – what an incredible film

Part 2

Un Chien Andalou – dir. Luis Banuel

Meshes of the Afternoon – dir Maya Deren

Variations on a Cellophane Wrapper – dir David Rimmer
– I couldn’t find a clip of the film, but here are some informational links if you want to learn more
http://www.google.ca/search?q=Variations+on+a+Cellophane+Wrapper+David+Rimmer&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a
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Pièce Touchée – dir Martin Arnold

“pièce touchée, Martin Arnold, Austria,16mm Film, b&w, 16 min
Arnold’s breakthrough film, pièce touchée, is based on a single 18-second shot from The Human Jungle (dir. Joseph M. Newman, 1954). Woman sitting in a chair. Man enters the room. Man and woman kiss. Exit man.”
– from the YouTube description

– this is only half of the film as a whole – could only get the first 9 minutes of the piece from YouTube

personal notes:

– b/w film – opens with a woman sitting on a chair in a living room reading a newspaper
– humming / mechanical noise overlay
– repetitive film – no movement at all other than fingers and head
– starts with only one frame then slowly builds up with the number of frames
– back and forth with forward and backward movement of the frames as the man enters the room
– mirroring imagery from left to right = cool effect on the eyes
– her head appears to swivel a complete 360 as the scene repeats and mirrors itself
– the man goes down and kisses the woman finally
– various editing techniques follow to the end…

in-class round table discussion:

– motion study / repetitive motion study
– changes of planes / changes of perception
– disorientation and uncomfortable
– dealt with time – kept revisiting and repeating frames
– absurdity of everyday domestic scene
– sound was mechanic humming
– story interpretation of repetition
– negation of story narrative
– metaphor / felt like we were inside a washing machine
– creation of new images using existing frames / transformation
– underlying issues of domesticity (violence / sexuality)
– issues of dominance, power and gender
– introduction of new editing techniques
– abstraction of shapes and creation of negative space
– interesting effects of animation (head spinning / rotating)
– soundtrack gives a dehumanized / mechanized theme to the piece (lack of humanity)
– unexpected editing techniques (reversals, mirrors, motion, movement)
– Experimental / Found Footage film piece
– too long? too repetitive? (was it intended?)
– no finality at the end – felt incomplete – where did it end? what does it mean?
– resolution irrelevant – it is an experimental film by nature
– A Touching Piece / Touched Piece – what does the title actually refer to?
– critique of cinema / society at the time (Hollywood system and view of society)
– expanded cinema (new term for avant-garde / experimental / innovative)