DIVA 300 – Final Report

December 8, 2009

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Here are the details on the two internships this semester for my DIVA 300 class – the first being the Motion Capture Studio at Emily Carr University and the second being CODElab, a look into surveillance during the Olympics taking place here in Vancouver in 2010. Click final_report_john_deveaux for a PDF download.
– FlashAddict

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Did you have a transformative experience over the internship? How you may have changed since starting the internship?
MoCap – “John has grasped the principles of motion capture quite well. He has already exhibited thoughts of how to use the technology in areas outside the norm.” The paradigm shift for me in working with Rick in the school’s motion capture lab was seeing the ways in which the technology can be applied to multiple products, company and individual requirements. From biofeedback, to ergonomics, the applications for MoCap are endless.
CODElab – I and the CODELab artists mutually admitting errors were made and working to rebuild our collective relationship together.

How you may use the skills that you’ve learned in the future?
MoCap – I am presently building my own company to provide ongoing project management consultation with some key friends of mine; Paul Cordick who was a Producer/Project Manager at both Mainframe Entertainment and Electronic Arts along with Kirk Hutton, who just completed his MBA. Both of them will be assisting me in developing our business plan, scope/vision of the company and identify key clients and competition – having my own company will allow me the freedom to create and develop the projects that I truly want to work on.
CODElab – Learning how to setup and edit a Wiki page will greatly help me in the near future as one of my company’s first clients requires a wiki page to be setup and content input and maintained.

Do you have goals for continuing with the internship? Was there an on-going relationship that was developed or a network of contacts that will benefit your practice?
MoCap – Not directly with Rick in the MoCap lab, but he asked that I keep him in the loop as to the progress that the company makes moving forward.
CODElab – I will be doing some additional research for the CODELab artists later on this week for the project Wiki page and will be meeting with Simon later on in order to finalize what he needs me to look up. On a long term basis, I am not sure if I will be working with them down the road, but if our paths cross in the future, I would be open to talking with them to see if there are areas in which we can join forces.

Comment on the working relationship with the organization, working in a collaborative environment, the organization’s flexibility and communication about the projects.
MoCap – Not really applicable here as Rick and I were 1 on 1 all of the time and did not have a major project that needed to be worked on or completed by the end of the internship. That being said, I had a very good working relationship with him and would definitely work with him again in the future.
CODElab – There were a few bumps along the road in my internship with CODELab but at the end of the day, we were able to move forward based on mutual respect for one another and a common interest in putting forward a kick-ass art piece.

How your expectations of the internship changed over time? (what you ended up actually doing vs. what was initially proposed.)
MoCap – The complexities of the software itself are so immense that constant trouble shooting and tech support was required. In those instances where Rick was madly working away to try and solve the problem, rather than pester him with questions, in some instances it was better to just stand back, shut up and let him work the problem.
CODElab – Do to some miscommunications, the only concrete item that I have produced so far for CODELab was the Wiki page that I briefly showed during the mid-term assessment: http://codelab.blprnt.com/wiki/index.php/Information_on_the_Olympic_Games

Mention the tasks and accomplishments that occurred after the midterm presentation
MoCap – Working with Rick this week to ascertain whether data could be captured without the black rubber mats being laid out in the studio. By moving the mats off of the floor and dialing up the threshold of the cameras, we were able to prove that while possible, the square footage of area that is seen by the cameras is greatly diminished which would result in limiting the movement of the actors within the space.
Since the infrared cameras are very light sensitive, a potential project coming down the pipeline was looking to see if they could do mocap without the mats, as they are cumbersome to move and stack and also emit a fairly potent smell each time they are moved. The studio needs to be aired out as a result which means more time is lost
CODElab – still to be determined…

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DIVA 300 – Critical Review

November 25, 2009

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Here are the details from one of the performances that I saw over this past weekend’s Interactive Futures conference here at Emily Carr. Click critical_review_john_deveaux for a PDF download.
– FlashAddict

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t2:Echo – by Henry Daniel

Due to the fact that my schedule was quite full this past weekend along with the fact that I get quite severe motion sickness from watching 3D movies, ride films and IMAX movies, I was not able to see most of the presentations that were shown at this year’s Interactive Futures conference at Emily Carr. That being said, the one performance that I was able to see in at least some form was t2:Echo by Henry Daniel.

While I was not able to see the entire performance, due to the fact that the concourse gallery walls that were blocking my seeing most of the actual dancers’ performances. On top of this, I was also helping direct the audience members to their respective locations, facilitating their viewpoints and actively going to get benches for more vertically challenged people to stand on.

By positioning the dancers in two separate yet interlinked locations, the director was able to create a bridge between the performances. This was further articulated by the video coding and processing for telepresence technology that was used to create the concurrent ghosting effect that was seen on the wall of the ECUAD concourse gallery and the main display screen in the IDS Motion Capture studio.

The ghosting effect that was projected onto the concourse gallery wall showed the dual performances and interlaid them onto one another and provided a somewhat random video playback quality as each dancer took centre stage in front of the crowd. They also entered the stage from multiple entry points and once their rotation in each location was complete, they then ran either to or from the concourse gallery and IDS MoCap studio in order to continue their respective performances there.

I have never seen a live dance performance like this before and it was quite the sight to see, as the dancers themselves were able to glide through the space with the greatest of ease and truly encompass it. From what I could see, it was a beautiful and creative bridging of technology and human performance into a multi-faceted co-locative art piece and would enjoy seeing more performances by Henry Daniel and his accompanying dance troupe.


Internship Mid-Term Report

October 28, 2009

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Here are the details on the two internships that I am working on this semester for my DIVA 300 class – the first being the Motion Capture Studio at Emily Carr University and the second being CODElab, a look into surveillance during the Olympics taking place here in Vancouver in 2010. Click mid_term_report_john_deveaux for a PDF download.
– FlashAddict

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IDS Motion Capture Studio Internship
http://crossfitmocap.wordpress.com/
– blog setup to provide project info to participants and show progress
http://www.facebook.com/group.php?gid=177700972600&ref=mf
– Facebook user group setup as well with video links on group wall

LEARNING OUTCOMES
– Rick’s philosophy on learning is to be fluid and allow for creative freedom
– he did not want me helping with mundane tasks such as answering email
– seeing as how he has no set schedule, he wanted to have as much fun in the process
– on his own, he would calibrate the cameras by running back and forth = boring
– having me working with him, gives him a greater chance to explore new outcomes
– “If I have to do one more damn US Marine with a machine gun walk cycle again…”
– CrossFit coaches and athletes were brought together with artists for group meeting
– much easier to learn by bringing in and suiting up actors to have them perform
– ability to work with the performers and fine tune walk cycles or isolated movements
– unfortunately, we had a major software glitch which nixed our live MoCap filming

– Rick pulled up some pre-recorded footage to show multiple data captures instead
CFmeeting2a
CFmeeting3a
CFmeeting4a
CFmeeting5a
CFmeeting6a

CrossFit – Motion Capture – group meeting 1

CrossFit – Motion Capture – group meeting 2

CrossFit – Motion Capture – group meeting 3

CrossFit – Motion Capture – group meeting 4

CrossFit – Motion Capture – group meeting 5

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CODElab Internship
UPDATE
http://codelab.blprnt.com/wiki/index.php/Main_Page
– Wiki page setup as a collective of project information and outcomes
http://codelab.blprnt.com/wiki/index.php/Information_on_the_Olympic_Games#Olympics:_
Secured_.E2.80.94_Past_and_Present

– researched previous and future Olympic cities’ security and surveillance activities
LEARNING OUTCOMES
– overall project is still open-ended as far as final outcomes
– I foresee my continued responsibilities as becomming a researcher
– our first task was to get a video camera and go around Granville Island and record
– criteria asked for unique and creative locations in order to record people and events
– possible location of setting up a “Ministry of Mis-Information” at Granville Island info board
surveillance1a
surveillance2a
surveillance3a


DIVA 300 – Internship Scope of Work Report

September 29, 2009

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Here are the details on the two internships that I will be working on this semester for my DIVA 300 class – the first being the Motion Capture Studio at Emily Carr University and the second being CODElab, a look into surveillance during the Olympics taking place here in Vancouver in 2010. Click John DeVeaux – Scope of Work Report for a PDF download.
– FlashAddict

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IDS Motion Capture Studio Internship

OVERVIEW
– Motion Capture Studio located here at the ECUAD Intersections Digital Studio
– Rick Overington is the studio tech who runs the operation
– major motion picture and local computer games companies use the studio space
– 20 Infared Passive Optical System to cover most of the floor space in the studio
– Motion Buider is the software application and is also good for pre-visualization
– full body suits which have 30-50 sensors sewn in are used to capture the data
– the system is unable to capture both bodies and facial features at the same time
– computers, cameras and the studio space need to be calibrated for each shot

– wand wave / L-Frame / Floor Calibration are the steps used to calibrate

Mocap

INTERNSHIP OUTCOMES
I want to incorporate CrossFit athletes and coaches into the Motion Capture Studio to serve both as a diagnostic tool to help provide real-time live data to athletes and coaches on their body dynamics as they do individual exercises, but to also merge this data into an artistic format as well.

I would like to work with some of the animation students at Emily Carr and create 3D character avatars which could then be animated with the motion capture data recorded from the original athletes to either match their actual likenesses or go really crazy and make the avatars look completely different (ie: men becoming women, humanoid looking animals, aliens…you name it).

I ran my idea by Rick on Monday and he said it would be great to work together on a collaborative project so that I could have an actual self-directed portfolio piece at the end of my internship, rather than just work on other peoples/companies’ projects. In addition, the owner and coaches at CrossFit are also very interested in what the Motion Capture Studio could provide to help enable their athletes propel themselves even further.

http://www.crossfit.ca
– CrossFit Vancouver homepage

http://www.youtube.com/results?search_query=crossfit+vancouver&search_type=&aq=f
– YouTube page listing of the CrossFit Vancouver workout videos

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CODElab Internship

OVERVIEW
CODElab will be a large-scale participatory new media artwork that will coincide with the Olympic and Para-Olympic Games from February 5th to 22nd, 2010 and be part of the larger CODELive event going on throughout the Vancouver area. Live capture nodes will be installed throughout Granville Island where visitors will be able to interact with artist and student facilitators via custom-designed balloon cams, umbrella cams, shoe cams and the like will record, transmit and present video with nontraditional perspectives and cutting-edge visuality.

CODElab

WHAT THIS ALL MEANS
– evolving process – the project guidelines will be set by the group
– roving, moving capture nodes for CODELab between the observer and the observed
– bodystorming vs. brainstorming – quickly create a conceptual idea and take it into the public sphere and test it out to see if it will actually work
– who will be our audience – project workers, ECUAD, Granville Island, Vancouver residents, 2010 Olympic visitors, the interwebz…
– orange and white colour scheme was decided upon for CODELab
– orange is significant of colour coded terrorist alert / being on alarm (CODE ORANGE)
– orange is the rabbit hole to engage the audience and bring them in further once they more and more CODELab orange coloured objects

PROJECT DELIVERABLES
http://delicious.com/search?p=codelab+ecu&chk=&context=main|&fr=del_icio_us&lc=
– setup a delicious site to bookmark important corresponding information
– a project Wiki site is being developed as a base for final outcomes and data captures

INTERNSHIP OUTCOMES
I had the opportunity to see the artists’ previous project, GLOCAL, at the Surrey Art Gallery last year and was absolutely blown away at what they had achieved. I hope to get hands-on experience and knowledge on building an immense data capture project and to further visualize it with Processing so that I can create and expand my own projects to their full potential.

http://www.glocal.ca/


Dying Briton ‘wrote killer’s name in blood’

May 5, 2009

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Pretty messed up story I came across today…
– FlashAddict

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LONDON (AFP) – A British student desperately tried to scrawl the name of his German love rival in his own blood as he was being stabbed to death, a court heard on Tuesday.

Matthew Pyke was knifed more than 80 times by German office worker David Heiss, who had become obsessed with his girlfriend after getting to know the couple through a computer games website, Nottingham Crown Court heard.

Jurors were shown a photograph of Pyke’s computer with the first three letters of Heiss’s first name scrawled in blood on the side in what the prosecution says was an apparent attempt to alert police.

The object of Heiss’s affection was Joanna Witton, 21, who lived with Pyke.

Heiss, also 21, from Limburg near Frankfurt, denies murder. He claimed he stabbed 20-year-old Pyke in self-defence at Pyke’s flat in Nottingham on September 19 last year.

The German said he was fighting Pyke for his knife in the moments before he allegedly murdered him.

“He charged at me. I was trying to push his arms away so they wouldn’t make contact with me. I stumbled back and fell on the table,” Heiss said.

“He lost the knife when it fell to the floor near the table. He tried to crawl towards it but I tried to prevent it by sitting on him. After a few seconds I got hold of it.

“He started kicking me in the back and he was looking at me angrily. I was lucky that I was still alive. I was almost sure that if I had lost the knife it would have been my end.

“I don’t know if it was adrenalin but I managed to get my arm away and then I stabbed him.”

Heiss, who lived with his grandmother, used to spend up to eight hours a day on his computer, the court heard.

He met Pyke and his girlfriend through the warscentral.com website and managed to obtain their address. He visited them several times in England but the couple grew increasingly annoyed by his attentions.

The prosecution says that Heiss eventually flew to Britain and lay in wait outside Pyke’s home, pouncing on him after seeing his girlfriend leave for work, before changing his clothes and fleeing back to Germany.

http://ca.news.yahoo.com/s/afp/090505/world/britain_germany_trial


Teacher: Wrong Computer Click Ruined My Life

January 28, 2009

In 2004 Julie Amero was a 37-year-old substitute teacher who looked forward to the impending birth of her first child and enjoyed educating students.

But her life took a drastic turn on Oct. 19 of that year and now, four years later, Amero has a scarred reputation and said she has suffered emotional distress after facing serious pornography charges that destroyed her teaching career.

“Everybody out there should be afraid,” the now 42-year-old Amero said on “Good Morning America” today. “If it can happen to me it can certainly happen to you.”

The Back Story: Spyware Cause Porn Popups on Teacher’s Computer

Amero started that fateful school day at Kelly Middle School in Norwich, Conn., by checking her personal e-mail and then she stepped out of the classroom to use the bathroom. While she was away from her desk, the computer began displaying a flurry of pornographic images.

She returned to find two students giggling at the computer screen. Amero said she tried to close the inappropriate images, but to no avail.

“The pop-ups never went away. It was one after another. They were continuous. Every time I clicked the box in the corner, the red box, the red X, more were generated,” she said according to a court transcript.

For several hours she says she tried to get the images of “women in lingerie, bathing suits” and more to stop. What Amero didn’t do, though, was shut down the computer.

“I didn’t even know where the button was,” she said, “never been shown, never been told.”

Amero said she wasn’t computer savvy and had limited knowledge of how to use the device.

“[My husband] had just taught me recently how to do the computer,” Amero said.

She alerted the school’s vice principal about the incident on her break and the administrator initially told her not to worry.

But then several angry parents who learned of the incident from their children called the school to complain.

“I knew there was a problem the third day at the end of that school day,” Amero said.

“At the time no big deal was made of it. Then kids went home, told their parents and it exploded from there,” said Hartford Courant newspaper columnist Rick Green, who has followed the case.

The school notified police and told Amero she could never work as a substitute teacher again. Shortly afterward she was arrested on 10 counts of risk of injury to a minor.

A Wrongful Guilty Verdict

Eventually, authorities dropped six of the counts, but Amero still faced four and a total of 40 years in prison.

“It’s a fascinating glimpse into what can happen to you if you are arrested in a wrongful situation,” Green said.

Prosecutors claimed that Amero had been surfing pornography Web sites in the seventh-grade classroom.

They offered her a deal that would have expunged the charges from her record after two years of good behavior. Amero refused the deal and maintained her innocence.

In the 2007 trial, Amero was convicted, but computer experts following the case disagreed with the verdict.

After their outcry, prosecutors sent the computer’s hard drive to state police forensics laboratory where analysis found evidence that contradicted the state’s expert witness.

“This Web page that she had allegedly clicked on, which had been presented at the trial as evidence, clear evidence by the prosecution, everything indicated to the exact contrary that she had not clicked on that link,” said Sunbelt Software CEO Alex Eckelberry, who came to Amero’s aid after reading about her case in the newspaper.

Combatting the Conviction

The bevy of computer experts that came to Amero’s aid proved that the true culprit of the pornographic pop-ups was a malicious spyware program.

The evidence was so compelling that a judge overturned Amero’s conviction, saying the prosecution’s star witness, a computer forensics expert, had given false testimony.

But for 18 months prosecutors pondered whether they should retry the former educator. They dropped the felony charges, but in November 2008 Amero pleaded guilty to disorderly conduct. She can never work in a classroom again.

She said the plea bargain was the result of not wanting to spend more time in a courtroom because the entire ordeal had taken a serious toll on her health.

“They got a pound of flesh,” said Amero, who remains unemployed and says she’s unable to get work thanks to the ordeal. “The doctors all agreed that I would not make it through another trial.”

Amero said the stress of the trial caused a miscarriage and prompted breathing troubles.

Her husband, 57-year-old Wes Vello, said he sees the plea agreement as the state’s way of being inflexible.

“They were unwilling to admit they’d made a mistake,” said Vello, who works seven days a week as a shipbuilder. “In my opinion it was just a saving face for the state.”

http://abcnews.go.com/GMA/story?id=6739393&page=1


DIVA 202 – Back to Skool…

January 7, 2009

Jeff Wall – Vancouver based photographer – featured on the cover of vanity fair (went to school with Ian)

http://en.wikipedia.org/wiki/Jeff_Wall
http://moma.org/exhibitions/2007/jeffwall/

Fungible – ability to take any piece of a production and send it overseas where it can be done faster and cheaper
Fungibility is the property of a good or a commodity whose individual units are capable of mutual substitution, where one unit of a commodity can be exchanged for another unit of the same commodity in the same quantity and grade. Examples of highly fungible commodities are crude oil, precious metals, and currencies.”

Damien Hirst ($230 million – sold directly to auction – subverted the gallery system)

– The asking price for For the Love of God (below) was £50,000,000 ($100 million or 75 million euros). It didn’t sell outright,[32] and on 30 August 2008 was sold to a consortium that included Hirst himself and his gallery White Cube.

In December 2008 Hirst threatened to sue a 16-year old boy for £200 because he incorporated pictures of For the Love of God into grafitti stenciles and sold them on the Internet.

http://en.wikipedia.org/wiki/Damien_Hirst

Marcus Garvey
– “A people without the knowledge of their past history, origin and culture is like a tree without roots.”

http://en.wikipedia.org/wiki/Marcus_Garvey

– What makes digital art history compelling is that it is as much shaped by science and technology as it is by traditional art history.

– Digital art history is thus inextricably linked to the industrial-military complex, research centres, as well as consumer culture and associated technologies.

Leonardo Da Vinci
– Drawing showing cannon trajectories over castle walls

Rear Admiral Grace Hopper (USNR 1906-1992)

– PhD in Math from Yale in 1934
– joined naval reserve in 1943 and assigned to bureau of ordinance
– went to work in UNIVAC (universal computer), and wrote the first compiler
– co-invented COBOL and gave us…
– photo # NH 96566-KN (First computer “bug” in 1945)
– found an actual moth in the relay tape for the computer

http://en.wikipedia.org/wiki/Grace_Hopper

Dr. Vannevar Bush

– wrote “As we may think” – coordinated science to warfare
– build a computer back in 1929 – Differential Analyzer
– used the computer to design bouncing bombs used to destroy German dams during WWII
– envisioned a device called The Memex – basically an analog version of the PC, the web and google

– picture of the memex in LIFE magazine – circa 1945
– his essay predicted many technologies
“Wholly new forms of encyclopedias will appear, ready-made with a mesh of associative trails running through them, ready to be dropped in”
http://en.wikipedia.org/wiki/Vannevar_Bush
http://en.wikipedia.org/wiki/As_We_May_Think
Earth versus the flying Saucers

– Hollywood used the actual computer for this film
Marshall University Differential Analyzer

Claude Shannon


– one of Bush’s graduate students – known as the “Father of information theory”
– A Symbolic analysis of Relay and Switching
– introduced to George Boole’s algebra as an undergrad
– proved that boolean algebra and binary arithmetic could be used to simplify the electromechanical relays then used in telephone
– enabled engineers to transform circuits from analog to digital realm
http://en.wikipedia.org/wiki/Claude_Shannon

Theodor Nelson

– an American sociologist, philosopher, and pioneer of information technology. He coined the term “hypertext” in 1963 and published it in 1965. He also is credited with first use of the words hypermedia, transclusion, virtuality, intertwingularity and teledildonics. The main thrust of his work has been to make computers easily accessible to ordinary people. His motto is:

A user interface should be so simple that a beginner in an emergency can understand it within ten seconds.

– invented the words hypertext and hypermedia in 1961 – networked Docuverse

Douglas Englebart
– best known for inventing the computer mouse, as a pioneer of human-computer interaction whose team developed hypertext, networked computers, and precursors to GUIs; and as a committed and vocal proponent of the development and use of computers and networks to help cope with the world’s increasingly urgent and complex problems.

First computer Mouse

Early Macintosh Mice

http://en.wikipedia.org/wiki/Douglas_Engelbart

Marcel Duchamp
Rotary Glass Plates, 1920

L.H.O.O.Q.

– found imagery and appropriate it – READYMADE
– precursor of digital art practice
http://en.wikipedia.org/wiki/Marcel_Duchamp
http://en.wikipedia.org/wiki/L.H.O.O.Q.
http://en.wikipedia.org/wiki/Readymades_of_Marcel_Duchamp

FLUXUS ARTISTS
– a name taken from a Latin word meaning “to flow”—is an international network of artists, composers and designers noted for blending different artistic media and disciplines in the 1960s. They have been active in Neo-Dada noise music and visual art as well as literature, urban planning, architecture, and design. Fluxus is often described as intermedia, a term coined by Fluxus artist Dick Higgins in a famous 1966 essay.
– series of instructions to reach an event

http://en.wikipedia.org/wiki/FLUXUS

John Cage

– pioneer of chance music, electronic music and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde and, in the opinion of many, the most influential American composer of the 20th century
4′33″ (Four minutes, thirty-three seconds) – the sound was different wherever it was played because it was silence

http://en.wikipedia.org/wiki/John_Cage
http://en.wikipedia.org/wiki/4%E2%80%B233%E2%80%B3

Grahame Weinbren

“The Digital Revolution is a Revolution of Random Access”
http://www.heise.de/tp/r4/artikel/6/6113/2.html
– Random Access is a basis for processing and assembling information
http://media.rmit.edu.au/students/projects/iiki/index.php/Grahame_Weinbren
http://www.yale.edu/dmca/dhtml/lectures99/weinbren.html

Sonata

– created by Grahame Weinbren, is an interactive narrative that is controllable by the viewer’s touch. The installation was exhibited internationally between the years of 1991 and 1999. Containing classical narratives of passion and violence by Tolstoy, Freud, and the Apocrypha, Sonata requests viewers to create their own narratives through interaction, and thus their own interpretations.

By touching the screen at any moment throughout the piece the viewer will affect the way the narrative continues. This includes viewing the narrative from a different perspective, superimposing future footage, or allowing a split-screen effect to show two different characters simultaneously.
http://media.rmit.edu.au/students/projects/iiki/index.php/Sonata

On Time

– one of the four short films produced for Garage Flicks. Directed by Ted Chung, with the screenplay by David Bradley Halls, and produced by Bianca Bodmer, Rich Ho Kok Tai, Elena Titova, and Vincent Schmitt. The credits also show their ‘Project mentor’ as Grahame Weinbren – his works, in my opinion, share similarities with the story of On Time. Sonata in particular as it experiments with future knowledge, just as On Time does.
http://media.rmit.edu.au/students/projects/iiki/index.php/On_Time

Howard Wise
EAI : Electronic Arts Intermix Funded by a number of American state agencies, federal agencies and organisations, Electronic Arts Intermix (EAI) was founded by Howard Wise in 1971 to support video art. It is a non profit making organisation. As well as video art, it now rents and sells audio, CDs, CD-ROMs and other interactive media works by artists. Web projects are also featured online. The searchable online catalogue includes artists’ biographies, descriptions of the works, QuickTime excerpts and ordering information. The website consists of an alphabetical list of authors and titles; a new artists / new titles section; audio and interactive media; selections from the video archive; streaming video, where excerpts of the video collection can be viewed; and a Resources section, which includes bibliographies and information about exhibitions and events. The Features section includes Web projects, which can be viewed online.
http://www.eai.org/eai/index.htm

John Whitney – CATALOG

– computer generated pictures in 1965 – used analog military computer equipment to create his short film CATALOG
demo reel of work created with his analog computer/film camera magic machine he built from a WWII anti-aircraft gun sight.
– Also Whitney and the techniques he developed with this machine were what inspired Douglas Trumbull (special fx wizard) to use the slit scan technique on 2001: A Space Odyssey


http://en.wikipedia.org/wiki/Douglas_Trumbull
http://en.wikipedia.org/wiki/Slit-scan_photography

Slit-scan is an animation created image by image. Its principle is based upon the camera’s relative movement in relation to a light source, combined with a long exposure time. The process is as follows:

  1. An abstract colored design is painted on a transparent support
  2. This support is set down on the glass of a backlighting table and covered with an opaque masking into which one or more slits have been carved.
  3. The camera (placed high on top of a vertical ramp and decentered in relation to the light slits) takes a single photograph while moving down the ramp. The result: at the top of the ramp, when it is far away, the camera takes a rather precise picture of the light slit. This image gets progressively bigger and eventually shifts itself out of the frame. This produces a light trail, which meets up with the edge of the screen.
  4. These steps are repeated for each image, lightly peeling back the masking, which at the same time produces variation in colors as well as variation of the position of the light stream, thus creating the animation.

Naturally, this effect is very time-consuming, and thus expensive, to create. A 10-second sequence requires a minimum of 240 adjustments.

Billy Kluver
– art and science should colaborate
– was an electrical engineer at Bell Telephone Laboratories who founded Experiments in Art and Technology. Klüver lectured extensively on art and technology and social issues to be addressed by the technical community. He published numerous articles on these subjects.
http://en.wikipedia.org/wiki/Billy_Kluver
http://www.conceptlab.com/interviews/kluver.html

Techno Viking – original has now gone viral

World of Warcraft spoof

They’re taking the hobbits to Isengard techno spoof

http://technoviking.tv/

THIS IS SPARTA!

http://failblog.org/

THE ONION

– macbook wheel – the onion spoof
http://www.theonion.com/content/index

DIGITAL ART 2ND EDITION – CHRISTIANE PAUL

RED VS. BLUE

– Halo machinima movies

The Original Human Space Invaders Performance

– props to Julaluck (aka Bob) for finding this golden nugget!

MY SECOND LIFE
– created by Douglas Gayeton – hbo bought it for $6 million – Who is the Creator?
http://www.hbo.com/docs/programs/molotovalva/interview.html