Starting my own mobile motion capture company

January 28, 2010

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I am currently in the process of starting up my own mobile motion capture company right now and am looking at beginning operations as of March 1st. My partner and I are in the final stages of compiling our business plan, market research and organizing capital investment and things look very promising for the future.

You can also watch the following demo reel provided by the motion capture suit manufacturer and see the suit’s capabilities yourself:

XSENS also went down to Vail, Colorado last month and did a shoot on the mountain trails down there:

http://www.xsens.com/

– FlashAddict

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DIVA 300 – Officially back to Skool!

September 9, 2009

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Here are my notes from the first day of classes at Emily Carr this fall semester – I am Officially back to Skool!!!
– FlashAddict

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DIVA future course offering orientation next wednesday at 3:20 – room to be announced

electrodiva.wordpress.com (DIVA 300 class blog – send Julie link to mine)

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Interactive Futures – started in Victoria at Open Space Gallery – now run by my teacher Julie Andreyev here at ECUAD

http://www.interactivefutures.ca/

– thematic is stereo in a broad sense
– 3 day conference made up of daytime presentations by artists, designers and researchers working within three thematics
– also a number of exhibitions taking place throughout the conference as well
– internship involves managing and learning how to stream the event to the public
– e-presence = remote live stream capabilities used for this conference in conjunction with IDS
– intern would work with Maria and Greg via Interactive Futures and IDS

Responsibilities for Internship:
– videographer archivist + broadcaster
– still photographer
– administration assistant (document, printing assistant, registration)
– curatorial assistant (help install/curate the exhibitions)

Significant keynote speakers:
– George Legrady (utilizes data from satellites)
– Paula Levine – mapped Jerusalem/Palestine wall onto San Francisco
– Munro Ferguson

Wednesday, November 18th, whole class would work at the conference and help set it up in lieu of class time.

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Glisten Hive – by Julie Andreyev

www.animallover.ca

– looks at animal consciousness – do they share human emotions
– part of the CODE (Cultural Olympiad Digital Edition) and shown here at ECUAD during the Olympics

Additional Components to the project:
– Aria – HD audio/video installation filmed in Banff National Park
– Wait – interactive video installation (activated space that reads visitors interaction with the space and plays a video reaction of the dogs to their interaction)
– Rockstar – work in progress – short HD video with the dog’s head out the car window while driving
– Bikeride – bike mounted camera filming the dogs running with the backdrop of the city changing behind the constant of the dogs

Intern Responsibilities:
– design and build the physical structure used for the project (arching, sculpted pieces to show the displayed data)
– Max MSP to be used to collate and display the data
– create a blog and populate it with information and testing the data within Max MSP for the installation

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Jonathan Aitken, artist/designer in residence at ECUAD researching a project involving animated typography and dance/theatre

http://www.jonathanaitken.ca/

Typographic Play

– text rain – camille utterback and romy achituv installation

– dumb type – memorandum

Flavia

Theatre Gargantua – interactive play with type

Liquid Journey – open source code to create visualized poetry

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Kika Thorne, Programming Coordinator/Curator of VIVO Media Arts Centre

http://www.videoinstudios.com

www.signalandnoise.ca

– looking for interns to help reinvent the VIVO website (new content management infrastructure)
– archival, project management, content management opportunities
– Ryan Trekartin and Willy Lemaitre – upcoming artists coming to VIVO and part of the internship

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Alex Beim, Creative Director of Tanglible Interaction

www.tangibleinteraction.com

– Zygot ineractive balls – inflatable balls with electronics inside that change colour whenever they are pushed
– Sensation White rave party in Amsterdam
– Graffiti Wall – done in the mocap studio here at ECUAD
– created graphics for the Olympic Oval (logo, letterhead and interactive displays/projections)
– Light Beat – interactive ball that flashes to match your heart beat
– Sun-Rype interactive Kiosk – people were made out of fruit – reproduce pixels of people with fruit
– empty bottles with L.E.D.s inside – Baccardi

Current Projects for internship:
1. Lighting Device (LED) that responds to sound

2. Tangible Interaction QB (cube) – system of lights that respond to interactions

What they are looking for:
Graphic Side – help with graphic identity of the company (logo, identity, branding) – create a new experimental identity for the company

Industrial Side – research new materials and techniques to work with for projects

Explore the Space – they are in residence at Lumen Gallery at Tinseltown – they are looking for graphics to be placed there – so not really an opportunity to utilize space there 😦

http://www.lumengallery.org

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Maria Lantin, Director of Intersections Digital Studios on the latest stereographic technologies.

http://www.ecuad.ca/research/ids

Opportunities:
– 3d printer – work with Simon and learn how to utilize them – Figure Prints for THELORAS!!!

http://www.figureprints.com/

– WHIP studios is for wearables/textiles and electronics

– working in MOCAP studio / FID technology to track people as they enter the space

– stereoscopic projection system (full HD)

– Breath IO – virtual video sculpture of lungs

– E-Presence System – allows you to capture live presentations and web casting

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M.Simon Levin and Jer Thorp, head researchers/artists of CODELab an experimental project that looks at surveillance during the 2010 Olympics.

– project commissioned by VANOC and presented during the 2010 Olympics
– social engagement project = art that is designed to be presented in a public space as opposed to a gallery

Project Specifics:
– network of nodes positioned around Granville Island with cameras attached to them (Capture Nodes)
– each node has a mini CPU, GPS, camera and XBee Radio (allows them to talk to the other nodes and relay data to the main CPU capture node located at ECU)
– allows investigation of Neural Networks / Vision / Surveillance
– they developed the GLOCAL project that was shown at the Surrey Art Gallery last year

Opportunities:
– Directed Studies
– Informal participation
– Contribution to research

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Malcolm Levy, Lead Curator / Producer: CODE on the Ground, an exhibition of new media to be held during the 2010 Olympic & Paralympic Winter Games

www.vancouver2010.com/en/culture-and-education/cultural-festival-and-events/code-/-/57316/mrhe7c/index.html

CODE Live – interactive, visual art performances (at night light works as well)

Connect Create and Collaborate
– create an interactive and inspiring experience for a broad international Games time audience
– showcase innovative and interactive installations and performances from Canada and select international artists
– theme of bridging between people and technology
– 3 Venues (ECUAD, Great Northern Way, Woodward’s / W2 in the downtown eastside)

Internship Opportunities:
– exhibition design intern (comm design)
– video documentation
– docents (ambassadors to art pieces)
– artistic management internships
– web editing and photo based online design work
– video editing for web
– technical install assistants
– print design interns

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Henry Tsang and Glen Lowry, researchers on Maraya, a large-scale new media experience that links Dubai with False Creek.

http://www.interactivefutures.ca/tsang.htm

Maraya – arabic for Reflection / Mirror

– telephone pole will have a CPU and video camera (robust, keep it dry)
– tv screen under a grate will showcase the view from the opposite city’s telephone pole portal

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Cheyanne Turions, Programs Manager/Curator of Cineworks Independent Filmmakers Society

http://www.cineworks.ca/

Internship Opportunities:
– helping Meet the Filmakers salon presentation
– Production Registry – needs to be put on the website every year
– Series of programs dealing with World AIDS Day – research around media art dealing with AIDS – help implement that programming

Film Festival going from October 1-16
World AIDS Day is December 1st

Thought on Film – monthly meeting of film theorists and enthusiasts

SWARM – Thursday is concentrated around Main Street – Friday night around Gastown


John DeVeaux – Portfolio

May 17, 2009

To download a high-res PDF version of my portfolio, please click the link below (17 MB in size):

http://www.ecuad.ca/~jdeveaux/john_deveaux_portfolio.pdf

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John DeVeaux - Portfolio

About the Artist

John DeVeaux is a third year Film, Video and Integrated Media student at the Emily Carr University of Art + Design in Vancouver, British Columbia, Canada.

Classifying himself as a Digital Artist with future aspirations to be an accomplished professional in either the film or video game industry, his work focuses on combining a wide range of media including crowd sourcing, data capture, film/video, installation, storytelling and internet blogging.

Artist Statement

clean   [kleen] -er, -est, adverb,  -er, -est, verb –adjective
1. characterized by a fresh, wholesome quality: the clean smell of pine.
2. free from all writing or marking: a clean sheet of paper.
3. complete; unqualified: a clean break with tradition.
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sim·ple   [sim-puhl] -pler, -plest, noun –adjective
1. easy to understand, deal with, use, etc.: a simple matter; simple tools.
2. not elaborate or artificial: a simple style.
3. not ornate or luxurious: a simple gown.
+
ef·fec·tive   [i-fek-tiv] –adjective
1. producing the intended or expected result: effective steps toward peace.
2. creating a deep or vivid impression; striking: an effective photograph.
3. able to accomplish a purpose: an efficient secretary.
=
de·sign   [di-zahyn] –verb (used with object)
1. to plan the form and structure of: to design a new bridge.
2. the combination of details or features of a picture, building, etc.: the design on a bracelet.
3. to intend for a definite purpose: a scholarship designed for foreign students.

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World of Warcraft: The Burning Addiction
Research Project – ECUAD Creative Process 2007

World of Warcraft: The Burning Addiction

For this project, I wanted to focus on what extent people would spend time from their real lives on their virtual ones. I then went to the Alcoholics Anonymous website and took their manifesto of questions that they ask potential addicts (ie: Have you ever missed school or work due to alcohol?) and then remixed the questions to ask my fellow Warcraft players (ie: Have you ever missed school or work due to Warcraft?) and was amazed at how honest their responses were.

Click the link below to download the full project PDF and explore the addictive qualities of video games in greater detail (1 MB in size):

http://www.ecuad.ca/~jdeveaux/addiction/addiction_print.pdf

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World of Warcraft: Haikus
Video Editing and Production – ECUAD Video Art 2009

This Video Art project required us to use found footage and splice it together within the theme of a haiku and I chose to focus again on World of Warcraft. Several different scenes from official game play trailers were used along with my own poem sequences in order to create its own unique storyline set to a haunting yet beautiful soundtrack.

I also received some additional publicity from a major World of Warcraft fan blog and as a result, have now had over 6,000 views on YouTube:

http://www.wowinsider.com/2009/05/12/wow-moviewatch-world-of-warcraft-haikus/

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Medal of Honor: European Assault
Poster Design – ECUAD Design Essentials 2005

Medal of Honor: European Assualt

With creative control to choose our own subject matter, I decided to create this poster for the soon to be released add-on of the popular Medal of Honor video game using World War II imagery and incorporating pertinent graphics and typeface layouts, with the centerpiece being this iconic image of the D-Day landing.

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Emily Carr Foundation Exhibition
Poster Design – ECUAD Digital Basics 2008

Emily Carr University Foundation Exhibition

In my Digital Basics course, our instructor challenged us to create our own poster design that would be submitted for that year’s Foundation Exhibition. The design that I chose focused on a clean and precise grid layout, with the typeface echoing this overall theme as well.

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Read Between the Lies
Poster Design – ECUAD Visual Communication 2008

Read Between the Lies

With an overall political theme required for this project for my Visual Communications course, I decided to focus on the ongoing tragedy occurring in Iraq. I wanted my critique to be bold and biting, yet symbolic at the same time by using George W. Bush’s own words being contradicted by documented facts on the ground within the layout of the American flag.

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The Starlight Express
Poster Design – ECUAD Design Essentials 2005

The Starlight Express

One of the first poster design projects that I worked on in the Design Essentials program at ECUAD and BCIT, I wanted the overall theme to reflect a bygone age in which the Royal Hudson train serviced passengers from Vancouver to Squamish. This was all tied in with the upcoming 2010 Winter Olympics along with using Futura as the typeface.

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International Campaign to Ban Landmines
Layout Design – ECUAD Design Essentials 2005

International Campaign to Ban Landmines

This layout design was created to reflect on the tragedy that landmines cause in third world countries by mirroring two family units. Where the Nuclear Family is shown with the requisite two parents and two children, the Landmine Family is shown with obvious limbs missing and the daughter being replaced by a tombstone due to a landmine explosion.

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Tribeca Film Festival
Layout Design – ECUAD Design Essentials 2005

Tribeca Film Festival

Tribeca Film Festival

Utilizing still images from the films playing in that year’s festival, a double-sided handbook spread was made highlighting film screenings and appearances in a clean and elegant design.

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Phoenix Rising v1.0
3D Design – ECUAD Design One 2007

Phoenix Rising v1.0

These sculptures were created for my Design One class as the project called for us to construct new and unique 3D sculptures by combining a singular object in a repetitive fashion so that the original object would get lost in the sum of the whole of the new piece. Version 1.0 is a freestanding structure and able to balance on the tips of plastic spoons.

Phoenix Rising v2.0
3D Design – ECUAD Design One 2007

Phoenix Rising v2.0

Version 2.0 was created as an alternative and two interpretations that I have with this sculpture are that of a Phoenix Rising out of flames (hence the title of the pieces) or of a frame-by-frame rotation of a high board diver tucking in as he falls to the water below.

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OBSCENE
Flipbook – ECUAD Digital and Interactive Arts 2008

OBSCENE

Wanting to play on my audience’s moral standards, this flipbook showcased a woman performing an otherwise overtly sexualized activity, yet because I enlarged and hyper pixilated the original video footage, the viewer is not able to immediately ascertain what they are viewing. On initial viewing, they may in fact realize what they are seeing, but due to their personal embarrassment, may not give in to such puerile thoughts.

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HDR Porteau Cove
HDR Photography – ECUAD Digital and Interactive Arts 2009

HDR Porteau Cove

On a very windy and cold January afternoon, my girlfriend and I drove up to Whistler from Vancouver and stopped briefly at the Provincial Park in Porteau Cove where I wanted to capture the incredible whitecap waves and this beautiful island in the distance. I took my original shot into Photoshop and digitally manipulated it in order to create this much richer and vibrant image.

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Oppositions
Design Exploration – ECUAD Design One 2007

Oppositions

Playing around in Illustrator for one of my Design One projects in 2007, I became transfixed in creating artificial 3D perspective illustrations on a digital 2D plane that draws the viewer in to mesmerize and make them dizzy.

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Compression
Typography Exploration – ECUAD Visual Communication 2008

Compression

For this typography exploration, I decided on taking words at their literal meaning and creating abstract illustrations out of the words themselves. Compression being a thematically delicious word to utilize in such a fashion, the word is repeated and imploded without end into itself.

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Poster Girl
Illustrator Project – ECUAD Design Essentials 2005

Poster Girl

One of my first major digital illustrations, this image has always been a favorite of mine and its title harkens back to the process of origination by using the Posterize tool in Photoshop to create the initial blueprint and then cleaning it all up within Illustrator.

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ROLEX Submariner
Illustrator Project – ECUAD Design Essentials 2005

ROLEX Submariner

Another of my digital illustrations, I spent over 20 hours on this perfecting every detail in order to match the precision of the original watch itself. Created entirely in Illustrator, this illustration could substitute for the original any day.

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Idris Salih Photography
Website Design, Identity, Logo 2005

IDRIS SALIH Photography

IDRIS SALIH Photography

One of my freelance web design clients back in 2005, I was originally hired to just design and produce his portfolio site, but after seeing the logo and identity that he had been using, I challenged myself to provide him with a new one which would reflect the high contrast and starkness that is representational of his b/w portraiture photography and he loved it.

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John Fortunato Photography
Website Design 2005

John Fortunato Photography

Another of my freelance web design clients from a few years back, his work reflected a lot of what my design philosophy entails as well: clean + simple + elegant = design. With that in mind, I decided to use a clean palette with a lot of white space and simple, yet intuitive navigation, in order to allow the photographs to stand out and have greater impact on the viewer.

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House of Cards – by Radiohead

March 4, 2009
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Looked at this wonderful video by Radiohead yesterday in class – no cameras or lights were used to capture the footage – they used a new data capture device called LIDAR. We also discussed creative ways of visualizating data and the convergence of science/technology and art – and looked at PROCESSING – a new software program available for free download that enables artists to further visualize their work as well…
– FlashAddict

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http://radiohead.com/deadairspace/

Radiohead just released a new video for its song “House of Cards” from the album “In Rainbows”.

No cameras or lights were used. Instead two technologies were used to capture 3D images: Geometric Informatics and Velodyne LIDAR. Geometric Informatics scanning systems produce structured light to capture 3D images at close proximity, while a Velodyne Lidar system that uses multiple lasers is used to capture large environments such as landscapes. In this video, 64 lasers rotating and shooting in a 360 degree radius 900 times per minute produced all the exterior scenes.

Watch the making-of video to learn about how the video was made and the various technologies that were used to capture and render 3D data.

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HOUS_E OF/CARDS

In Radiohead’s new video for “House of Cards”, no cameras or lights were used. Instead, 3D plotting technologies collected information about the shapes and relative distances of objects. The video was created entirely with visualizations of that data.

Directed by James Frost
From the album IN RAINBOWS

Go to: http://code.google.com/radiohead to find additional pieces of data to create your own visualizations. Upload the results here:
http://www.youtube.com/group/houseofcards

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PROCESSING

Processing is an open source programming language and environment for people who want to program images, animation, and interactions. It is used by students, artists, designers, researchers, and hobbyists for learning, prototyping, and production. It is created to teach fundamentals of computer programming within a visual context and to serve as a software sketchbook and professional production tool. Processing is an alternative to proprietary software tools in the same domain.

Processing is free to download and available for GNU/Linux, Mac OS X, and Windows. Please help to release the next version!

Processing is an open project initiated by Ben Fry and Casey Reas. It evolved from ideas explored in the Aesthetics and Computation Group at the MIT Media Lab. The project is currently improved and maintained by a small team of volunteers.

http://processing.org/

Examples of what Processing can do:

http://www.michael-hansmeyer.com/projects/project4.html

http://www.processing.org/learning/3d/cubicgrid.html


Google Earth dives under the sea

February 2, 2009

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Please take the time to check out the new addition to Google Earth – it looks amazing!
– FlashAddict

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http://news.bbc.co.uk/1/hi/technology/7865519.stm

Google has lifted the lid on its first major upgrade to its global mapping software, Google Earth.

Google Ocean expands this map to include large swathes of the ocean floor and abyssal plain.

Users can dive beneath a dynamic water surface to explore the 3D sea floor terrain.

The map also includes 20 content layers, containing information from the world’s leading scientists, researchers, and ocean explorers.

You can now dive into the world’s ocean that covers almost three-quarters of the planet and discover new wonders
Al Gore

Al Gore was at the launch event in San Francisco which, Google hopes, will take its mapping software a step closer towards total coverage of the entire globe.

In a statement, Mr Gore said that the update would make Google Earth a “magical experience”.

“You can not only zoom into whatever part of our planet’s surface you wish to examine in closer detail, you can now dive into the world’s ocean that covers almost three-quarters of the planet and discover new wonders that had not been accessible in previous versions”.

Approximately 70% of the worlds surface is covered by water and contains nearly 80% of all life, yet less than 5% of it has actually been explored.

Google Oceans aims to let users visit some of the more interesting locations, including underwater volcanoes, as well as running videos on marine life, shipwrecks and clips of favourite surf and dive spots.

The new features were developed in close collaboration with oceanographer, Sylvia Earle, and an advisory council of more than 25 ocean advocates and scientists.

Sylvia Earle, the National Geographic Society’s explorer in residence, said the new features would bring the blue planet to life.

“I cannot imagine a more effective way to inspire awareness and caring for the blue heart of the planet than the new Ocean in Google Earth.”

“For the first time, everyone from curious kids to serious researchers can see the world, the whole world, with new eyes,” she added.

There are also updates on the terrestrial side, including GPS tracking, virtual time travel (where users can observe changes in satellite images, such as the 2006 World Cup stadium or the desertification of Africa’s Lake Chad) and narrated tours of imagery and content in Google Earth.

There are also updates to the Mars 3D section, so if users have had enough of the blue planet, they can always look at the red one.

http://news.bbc.co.uk/2/hi/technology/7865407.stm


Reading the Screen – class notes from last Friday (animation)

October 2, 2008

“The Humorous phases of funny faces” – J. Stewart Blackton?
FIRST ANIMATION EVER 1906


– done with chalk so it was erased with each frame

“Fantasmagorie” – Emile Cohl

– first true animation in August 1908
– graphite on paper

“Walking” – Ryan Larkin

– was nominated for an academy award in 1970, but Ryan lost his way and fell into drugs and despair
“Ryan” – Chris Landreth


part 1

part 2

– a 2004 Oscar-winning animated documentary by Chris Landreth about the influential Canadian animator Ryan Larkin (see above – he did “Walking”), who in later years lived on skid row in Montreal following a history of drug and alcohol abuse.
Earl Heard 1915 – invented celluloid animation – all studios had to pay him a royalty until the patent ran into the public domain

“The Old Mill” – Disney

– tricks of the trade – multi-plane camera
– special effects animation from back in 1937 – old school cgi hand drawn and hand painted (very labour intensive)
– editing is so important, it’s how you move an audience
– as the storm builds, the shots get closer and closer – cutting/editing make the film
– Walt Disney spent only 12 years to refine animation from Steamboat Willy to Fantasia

– Disney either created or refined modern day aspects of animation
– Leonard Maltin has published numerous animation history books, including “Of Mice and Magic”
– 1937 – Snow White – used multi-plane camera up to Little Mermaid – last time it was used
– now they use D Canvas or Caps and computers to simulate 3d and distance
– “Minnie the Moocher”


– opening with Cab Calloway Hidy Hidy Ho!
– Cab Calloway was the man back in the day!  Max Fleischer vs. Disney studios
– Betty Boop was one of the first fully female animated characters- early example of rotoscoping with Cab dancing – precursor to Waking Life and A Scanner Darkly plus the iPod commercials as well – music video by The New Pornographers
Waking Life – Trailer

A Scanner Darkly – Trailer

New Pornographers – Myriad Harbour

Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed)

– 300,000 cut outs to make this film – Lotte Reiniger – made in 1927
– very first animated feature film – she was the only one who did the cut outs – silhouette animation film

The Mysterious Geographic Explorations of Jasper Morello – steampunk animation

The Old Man and the Sea – Alexander Petrov

part 1

part 2

– hand painted on glass (finger painting)
– wow – incredible paintings – clouds turn into elephants – lions – the sailing ship
– amazing detail in the oar slicing through the water and having the drops drip down
– the swordfish leaps several feet out of the water and keeps puling the boat further out to sea
– phosphorescence at night is beautiful – the crowd of people on the beach is incredibly detailed
– in the credits, it shows the director Alexander Petrov hand painting each individual glass frame

Peter and the Wolf – Suzie Templeton (also did a film called “Dog”)
– stop motion puppet animation

MISC CLASS NOTES:
lots of cutting edge animation happening in music videos
international film festival – should check it out
the story of pixar – director leslie was grand-daughter of the guy who helped do steamboat willy
– the man who planted trees was roger lassiter’s inspiration – he played it to introduce his festival
– not an actual true story – was fiction – frederick back

animation = bringing life out of something static
– animation is about drawing movement
– is it possible to make a bad film with beautiful drawings (star wars 1-3, final fantasy…)
– can you make a good film with bad drawings (rejected, simpsons, don hertzfeld)

Welcome to the Show – Don Hertzfeld

– DAMN THE ILLUSION OF MOVEMENT TO HELL!!!!!

Intermission – Don Hertzfeld

End of the Show – Don Hertzfeld

Rejected – Don Hertzfeld

– animation = just for kids?!?!? nope, it is much much more
– film screenings on wednesday help showcase the various techniques

STOP MOTION
– claymation (chicken run)
– paper cut out (south park, adventures of prince achmed – first animated film ever) aka silhouette animation
– puppet animation (nightmare before christmas)
– pixelation (neighbours, space jam, white stripes hardest button to button
– object animation – stop motion (joanna priestley)

– experimental (painted glass, the street, norman mclaren)
– pin screen animation (very rare – use pin screen – NFB animations – do research – each shot is unique – cannot be recreated – alex alexsov)
– rotoscope (waking life, a scanner darkly)
– cell animation (disney, looney toons, duck amuck)
– limited animation (simpsons – all you get is mouth/hand being animated vs. disney where the entire body is animated)
aka illustrated radio because the shots are reused 1960’s cartoons like spider man)

Additional Animation clips:

The Animatrix – Final Flight of the Osiris