Tiesto – Imogen Heap – Hide And Seek (Tiesto’s In Search Of Sunrise Remix)

July 22, 2009

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The beat of this song makes me feel like I am touching the face of God…
– FlashAddict

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Total Eclipse of the Heart: Literal Video Version

June 19, 2009

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If you ever wondered what the deeper meaning behind music videos were…
– FlashAddict

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House of Cards – by Radiohead

March 4, 2009
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Looked at this wonderful video by Radiohead yesterday in class – no cameras or lights were used to capture the footage – they used a new data capture device called LIDAR. We also discussed creative ways of visualizating data and the convergence of science/technology and art – and looked at PROCESSING – a new software program available for free download that enables artists to further visualize their work as well…
– FlashAddict

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http://radiohead.com/deadairspace/

Radiohead just released a new video for its song “House of Cards” from the album “In Rainbows”.

No cameras or lights were used. Instead two technologies were used to capture 3D images: Geometric Informatics and Velodyne LIDAR. Geometric Informatics scanning systems produce structured light to capture 3D images at close proximity, while a Velodyne Lidar system that uses multiple lasers is used to capture large environments such as landscapes. In this video, 64 lasers rotating and shooting in a 360 degree radius 900 times per minute produced all the exterior scenes.

Watch the making-of video to learn about how the video was made and the various technologies that were used to capture and render 3D data.

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HOUS_E OF/CARDS

In Radiohead’s new video for “House of Cards”, no cameras or lights were used. Instead, 3D plotting technologies collected information about the shapes and relative distances of objects. The video was created entirely with visualizations of that data.

Directed by James Frost
From the album IN RAINBOWS

Go to: http://code.google.com/radiohead to find additional pieces of data to create your own visualizations. Upload the results here:
http://www.youtube.com/group/houseofcards

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PROCESSING

Processing is an open source programming language and environment for people who want to program images, animation, and interactions. It is used by students, artists, designers, researchers, and hobbyists for learning, prototyping, and production. It is created to teach fundamentals of computer programming within a visual context and to serve as a software sketchbook and professional production tool. Processing is an alternative to proprietary software tools in the same domain.

Processing is free to download and available for GNU/Linux, Mac OS X, and Windows. Please help to release the next version!

Processing is an open project initiated by Ben Fry and Casey Reas. It evolved from ideas explored in the Aesthetics and Computation Group at the MIT Media Lab. The project is currently improved and maintained by a small team of volunteers.

http://processing.org/

Examples of what Processing can do:

http://www.michael-hansmeyer.com/projects/project4.html

http://www.processing.org/learning/3d/cubicgrid.html


Mad World – which version do you like best?

March 2, 2009
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One of my all-time favorite sons, Mad World, originally by Tears for Fears has been redone countless times and in each new interpretation, artists have brought their own passion and truth to what is in my opinion a very haunting and provocative song. I was amazed to find that the song has been used to the extent that is has been – see below and enjoy!
– FlashAddict

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– fan made Machinima trailer that covers the entire song – was inspired after watching the original trailer above

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All around me are familiar faces
Worn out places, worn out faces
Bright and early for their daily races
Going nowhere, going nowhere
Their tears are filling up their glasses
No expression, no expression
Hide my head I want to drown my sorrow
No tomorrow, no tomorrow
And I find it kind of funny
I find it kind of sad
The dreams in which I’m dying
Are the best I’ve ever had
I find it hard to tell you
I find it hard to take
When people run in circles
It’s a very, very
Mad World
Mad world
Children waiting for the day they feel good
Happy Birthday, Happy Birthday
And I feel the way that every child should
Sit and listen, sit and listen
Went to school and I was very nervous
No one knew me, no one knew me
Hello teacher tell me what’s my lesson
Look right through me, look right through me
And I find it kind of funny
I find it kind of sad
The dreams in which I’m dying
Are the best I’ve ever had
I find it hard to tell you
I find it hard to take
When people run in circles
It’s a very, very
Mad World
Mad World
Enlarging your world
Mad World.
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Background

“Mad World” began life as the intended b-side for Tears for Fears’ second single “Pale Shelter (You Don’t Give Me Love)”. The band decided, however, that it may be something people would like to hear on the radio and held back its release, instead waiting to issue the song as a single in its own right after re-recording it with Chris Hughes.

That came when I lived above a pizza restaurant in Bath and I could look out onto the centre of the city. Not that Bath is very mad – I should have called it “Bourgeois World”!

Roland Orzabal

“Mad World” was the first single off the finished album. The intention was to gain attention from it and we’d hopefully build up a little following. We had no idea that it would become a hit. Nor did the record company.

Curt Smith

Meanings

Lyrically the song is pretty loose. It throws together a lot of different images to paint a picture without saying anything specific about the world.

Roland Orzabal

It’s very much a voyeur’s song. It’s looking out at a mad world from the eyes of a teenager.

Curt Smith

Mad World” is a song by the British band Tears for Fears. Written by Roland Orzabal and sung by bassist Curt Smith, it was the band’s third single release and first chart hit, reaching #3 on the UK Singles Chart in November 1982. Both “Mad World” and its b-side, “Ideas As Opiates”, would turn up on the band’s debut LP The Hurting the following year. The song would eventually become Tears for Fears’ first international success, reaching the Top 40 in several countries between 1982 and 1983.

Two decades later, the song made a popular resurgence when it was covered by composers Michael Andrews and Gary Jules for the soundtrack to the movie Donnie Darko. This version reached no.1 in the UK in December 2003.

Michael Andrews and Gary Jules version


“Mad World” would achieve a second round of success beginning almost twenty years later, after it was covered by Michael Andrews and Gary Jules for the film Donnie Darko (2001). While the Tears for Fears version featured various synthesizers and percussion, the Andrews/Jules version was stripped down. Instead of a full musical backing, it used only a set of piano chords, a cello, and modest use of a vocoder on the chorus. Their version was originally released on CD in 2002 on the film’s soundtrack, but an increasing cult following spawned by the movie’s DVD release finally prompted Jules and Andrews to issue the song as a proper single. The release was a runaway success in late 2003, becoming the Number One single over the Christmas holiday in the UK, a feat Tears for Fears themselves never accomplished. The music video has been very popular on Youtube, garnerning over 11 million views as of 2009.

Popular culture

In late 2006, a condensed version of the Andrews/Jules cover of “Mad World” was featured in the award-winning commercial for the video game Gears of War. The advertisement has been credited with helping propel the song to #1 on the iTunes sales chart. In addition to its usage in numerous advertisements and fan-made YouTube videos, the Andrews/Jules cover has also become a popular choice for background music in television dramas, having appeared in the following series:

  • Cold Case
  • CSI
  • Emmerdale
  • ER
  • Jericho
  • Judging Amy
  • Las Vegas
  • Line of Fire
  • Medical Investigation
  • Nip/Tuck
  • Silent Witness
  • Smallville
  • Station X
  • Tatort
  • The Cleaner
  • The L Word
  • Third Watch
  • Without a Trace

In 2006, the song appeared on Broadway as the closing number in Butley starring Nathan Lane.

Other versions

In addition to the Andrews/Jules version, “Mad World” has been recorded over the years by the following artists:

  • French artist Nicola Sirkis, frontman of the new wave band Indochine, on his solo album Dans La Lune… (1992).
  • American industrial rock band Kill Switch…Klick, on the Cleopatra Records compilation New Wave Goes To Hell (1998).
  • American alternative rock band Finch, on their EP Rolling Stone Acoustic Session (2002).
  • British singer-songwriter Alex Parks, on her debut album, Introduction (2003).
  • American industrial act Brainclaw, downloadable on their website (2004).
  • American metalcore band Evergreen Terrace, on their album Writer’s Block (2004).
  • German punk rock band Die Toten Hosen, on their live DVD Rock am Ring 2004 (2004).
  • Australian art rock band The Red Paintings, on their EP Walls (2005). This cover features an acoustic cello and guitar arrangement. While they modified the lyrics from the original version, in live performances they are known to enunciate words in different fashion giving it an altogether unique sound.
  • German DJ Jan Wayne, on his single Mad World (2005).
  • American singer-songwriter Sara Hickman, on her double album Motherlode (2006).
  • Canadian rock bassist Ken Tizzard, on his album Quiet Storey House… An Introduction (2006).
  • German a cappella group Wise Guys, on their album Radio (2006).
  • American dark cabaret duo The Dresden Dolls, on their live DVD Live at the Roundhouse (2007). The performance features Trash McSweeney of Australian art rock band The Red Paintings.
  • Canadian folk-singer Tara MacLean, on her EP Signs of Life (2007).
  • German vocal band Gregorian, on their album Masters of Chant Chapter VI (2007).
  • Vietnamese-Canadian singer Kristine Sa recorded a cover of the song.
  • Israeli actress and model Melanie Peres recorded a cover of the song, as the theme song of Reshef Levy‘s film, “Lost Islands“.

http://en.wikipedia.org/wiki/Mad_world


Tom Waits is The Man…

February 5, 2009

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Tom doing what Tom does – absolutely priceless…
– FlashAddict

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http://www.tomwaits.com


Shot-by-Shot analysis of the music video – Glósóli by Sigur Ros

January 15, 2009

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Our Video Art instructor, Christine Stewart played this video as her contribution to the Personal Inspiration Project that all of the students showed in class today. As chance would have it, I had just recently published this video on both my blog and facebook pages and had just watched it the night before as it is one of my all-time favorites. Seeing as though my main art piece is focusing on Personal Journeys, I wanted to take things a bit further, so I decided to do my own personal shot-by-shot analysis of the video after class. This process allowed me to gain a much deeper understanding of the piece and its internal Journey.  I hope that you will enjoy it – I know I did!
– FlashAddict

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Sigur Ros – Glosoli

– 0:01 – solitary chord lingers as the screen fades in revealing a young boy sitting on the edge of a body of water with a drum by his side – searching the horizon from side to side – Little Drummer Boy = leader and protector
– 0:10 – cue music – first cut – reveals a dirty over the shoulder closeup of the Little Drummer Boy and his hair blowing in the wind
– 0:13 – second cut – closeup of the Little Drummer Boy‘s drumstick resting in his fingers on his lap – he releases the first tap in his fingers to the beat of the bass
– 0:21 – after a few other closeups of the drumstick – the main beat of the song comes up and the Little Drummer Boy starts tapping his foot to the beat
– 0:25 – the Little Drummer Boy feels a call to action, stands and picks up his drum – the journey is about to begin…
– 0:35 – incredible shot when the Little Drummer Boy walks into the frame to walk up the hill and the camera pans from right to left to follow him up – wonderful imagery – again to the change in the song’s beat
– 0:45 – we see the Little Drummer Boy traversing a quite difficult patch of volcanic rock fields and hills that goes far off in the distance to the horizon = the journey is long but worthwhile
– 0:47 – again to the change in the beat, the Little Drummer Boy pauses when he realizes that he is not alone – he needs friends to join and help him on his journey = compatriots
– 0:54 – to the beat of the drumming, the Little Drummer Boy bangs his drum once as a rallying call to whoever is living in the rock house on the hill
– 0:56 – beautiful scene of the young girl raising her head from under the rock wall while wearing the cute bear head costume and then we see the Little Drummer Boy – she is wary to join him but he gives her a simple yet lovingly warm smile in return = All will be OK – then his head swivels to the left to lead her and her sister (who pops up afterwards) to follow on the journey
– 1:15 – tender scene between the two sisters and the older one holds the hand of her younger sister and helps her traverse the difficult volcanic landscape
– 1:19 – scene opens up to reveal another young boy waiting on a rock in the middle of the volcanic rockfield as if he has been waiting for them all along
– 1:22 – the boy is apprehensive and a bit scared to follow however he doesn’t want to get left behind as the others continue on with their journey
– 1:27 – hey guys wait for me – he seems to emote as he finds his courage and runs after the group to join them
– 1:35 – another tender moment as the group encounters a small stream blocking their path – Little Drummer Boy lends his hand to the girls and the new boy to help them across
– 1:42 – the camera pans through the swaying long grass to reveal the serene face of a young and cute icelandic girl with the face of an angel – which then opens up to more shots of the faces the other children sitting in the grass and sharing tender moments together (as if they are inside the womb) – culminating in the Little Drummer Boy smiling a reassuring smile again = All is Good
– 2:13 – the group of children decide to keep marching and leave the protective womb of the high grass fields
– 2:19 – shot reveals girls playing skip rope and young boys hanging out and simply being boyz getting into trouble and mischief – yet they also feel the tapping of the drumbea with their feet and feel the desire to join the journey as well
– 2:28 – the cadence of the musical beat changes to that of a clapping staccato rhythm – scene opens up to reveal two boys trying to light an abandoned car on fire with a gerrycan of gasoline and an open flame (never a good idea) – makes me giggle a bit when the boy with the gerrycan spills some of the gasoline and could have nearly lit himself on fire!
– 2:34 – and still the beat goes on – as we see the feet of the children walking and drumming along to the beat
– 2:37 – they cross a threshold of manmade technology (the road/highway) cutting through the pristine and untouched wilderness and yet the Little Drummer Boy leads them further into the wild = take the road less travelled
– 2:44 – shot of the three young girls building the rock monument/house out with a gigantic volcanic rock field = simple gestures can create powerful bonds
– 2:55 – the Visual Representation of Youth makes his appearance – the youngest child of the group – represented by a young boy sleeping in the rock field = beautiful, innocent, peaceful, serenity, youth
– 3:02 – the Little Drummer Boy realizes that the Visual Representation of Youth is sleeping so asks everyone to be quiet – and so they all scout out a place of their own to join the Visual Representation of Youth
– 3:16 – closeup shot of the Visual Representation of Youth – stirring slightly as the other children lay down – shhhhhhh – we have to be very gentle and quiet…
– 3:33 – young and cute icelandic girl with the face of an angel turns over because she can’t sleep – so she reaches out to grab the hand of the Little Drummer Boy so she can sleep soundly
– 3:41 – zoomed out group shot of all of the children sleeping in peaceful slumber – cue fade through black
– 3:49 – sunrise – rebirth – the march continues as the music beat picks up in intensity – the Little Drummer Boy enters from left frame leading the group across the landscape bathed in a golden yellow hue from the morning sunshine
– 3:55 – the camera pans down to show the children marching in single file, with their feet stepping to the beat of the music in unison
– 4:07 – the Little Drummer Boy brings the group to a halt and now has a concentrated and stoic look on his face as the shot is a shoulder closeup of his face with the children standing behind him in support
– 4:10 – shot changes to reveal the other children finding their courage as well as they stand with the Little Drummer Boy as one unit looking on the task that they all face together
– 4:12 – resolve – there is no turning back – as the Little Drummer Boy looks down to gather his courage
– 4:15 – in unison with the rising beat of the music – the Little Drummer Boy begins beating his own drum for the very first time
– 4:17 – continued closeups of the other children as they all find their courage and resolve from the Little Drummer Boy‘s  drumming
– 4:22 – 1/2 shot showing the Little Drummer Boy and the other children in a collective resolve and getting ready to unleash their energy as a whole
– 4:35 – the camera switches sides and is now behind the Little Drummer Boy – so we as the audience have now become the other children and we need to find our resolve and courage now
– 4:39 – the calm before the storm – even though the beat of the music is very heavy at this point – the Little Drummer Boy holds us back like potential energy or a waterfall holding back a massive reservoir of water
– 4:41 – CHARGEEEEEEEEEEEEEEEEEEEEEEEEEeeeeeeeeeeeeeeeeeeeeeeeeeee………. (best part of the song here by the way)
– 4:42 – the children run past the camera – meaning that they are running past us as the audience from the viewpoint
– 4:46 – humorous moment as the Little Drummer Boy drops his drum because he no longer needs the crutch anymore – he is well on his way to becomming a man – but he nearly takes out the girl on his right in the process as she nearly bails as she trips on the drum
– 4:48 – focus of the girl with the bear hat costume as she takes the cue from the Little Drummer Boy and discards her crutch as well – she is becomming a woman
– 4:50 – the Little Drummer Boy and the rest of the children are running at full speed to reach the top of the hill – they are giving it all their might
– 4:54 – we see the Little Drummer Boy‘s drum rolling backwards down the hill to find a new child to attach itself to as the Visual Representation of Youth enters the frame and watches the drum roll down – he is slower than the rest, but no less determined
– 4:57 – as the lead guitar its most powerful riff of the song – we have a head shot closeup of the bear hat girl and another girl running with the wind in their hair
– 5:01 – long shot showing the children running full bore up the incline of the hill – there is nothing that can stop them now
– 5:03 – two seagulls flying blissfully in the air enter from frame left and forshadow the children’s future
– 5:07 – the lead singer breaks out into his wail/scream as the children approach the edge of the cliff – further foreshadowing of the seagulls effortlessly rising up and down with the currents of air = point of no return
– 5:14 – camera moves in closer but still a long shot as the children get even more tantilizingly close to the cliff’s edge – we see the final image of the seagull far off in the background becomming them to follow – it exits from the frame just as = the Little Drummer Boy and the bear hat girl arrive to the edge first = first to mature
– 5:19 – closeup of the Little Drummer Boy‘s right foot as he takes his leap of faith and jumps off the cliff – the scene is full of tension, both implied and literal – what will happen to him when he steps off?
– 5:20 – one last breath before the plunge as the Little Drummer Boy takes a mighty leap into the unknown
– 5:21 – bear hat girl and the rest of the children are not far behind and follow him into adulthood
– 5:23 – the Little Drummer Boy finds his own path and begins plotting his own destiny
– 5:24 – camera shifts perspective again and we as the audience become the children as we watch the others run past us and jump off to find their respective destinies
– 5:27 – long shot view showing most of the children able to make it on their own as they reach for the stars
– 5:29 – check out the view from up here the Little Drummer Boy seems to emote as he is savouring his new found freedom
– 5:33 – but what about the Visual Representation of Youth – is he too small to make the jump – will he be able to survive on his own – as he approaches the final steps of his childhood
– 5:36 – the Visual Representation of Youth pauses on the edge of the cliff and briefly debates whether to make the jump or not – he is still a little scared of the unknown
– 5:38 – we follow the rest of the children as they are well on their way and savouring their ability to spread their wings
– 5:39 – the Little Drummer Boy looks even further into the future with eyes of assurance and as before = All is Good
– 5:41 – like a big brother, the Little Drummer Boy takes one last look back at the other children, but he knows that they will be able to find their path and succeed on their own – he doesn’t need to worry about them anymore
– 5:42 – having reached a decision, the Visual Representation of Youth decides to go for it and like a giant coiled spring, he leaps off the cliff with all of his might but seems to fall as he briefly stumbles before finding his own path to follow
– 5:48 – closeup of the Visual Representation of Youth’s sparkling teeth and a giant smile = pure joy as the he finally finds his strength – as the music equally reaches its crescendo and begins to fade out
– 5:51 – closeup of the rest of the children smiling and feeling euphoric = Bliss
– 6:04 – end music – the endless waves of the water below with the camera panning up to show the horizon in the distance = their future is their own now – only they can decide where to go from here


Godspeed You! Black Emperor – Moya

January 8, 2009

this song absolutely kicks ass at the 5 minute mark…seriously, take a listen to an incredible musical journey…